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Sandeep Bhagwati
Sandeep Bhagwati
Canada Research Chair for Inter-X Art, Concordia University
Verified email at concordia.ca
Title
Cited by
Cited by
Year
Notational perspective and comprovisation
S Bhagwati, P de Assis, W Brooks, K Coessens
Sound & Score. Essays on Sound, Score and Notation, 165-177, 2013
322013
Towards interactive onscreen notations for comprovisation in large ensembles
S Bhagwati
Edited by George E. Lasker, M. Ana Luz and John Dack. Systems Research in …, 2008
232008
Elaborate audio scores: Concepts, affordances and tools
S Bhagwati
Proceedings of the International Conference on Technologies for Music …, 2018
132018
Comprovisation–concepts and techniques
S Bhagwati
Re) Thinking Improvisation, 2013
112013
Musicking the Body Electric: the “Body: Suit: Score” as a Polyvalent Score Interface for Situational Scores
S Bhagwati, I Cossette, J Berzowska, M Wanderley, J Sullivan, D Egloff, ...
Proceedings of the 2nd International Conference on Technologies for Music …, 2016
82016
Imagining the Other’s Voice: On Composing across Vocal Traditions
S Bhagwati
Vocal Music and Contemporary Identities, 89-108, 2013
82013
Vexations of ephemerality
S Bhagwati
Proceedings of the International Conference on Technologies for Music …, 2017
62017
The design of the body: suit: score, a full-body vibrotactile musical score
TJ West, A Bachmayer, S Bhagwati, J Berzowska, MM Wanderley
International Conference on Human-Computer Interaction, 70-89, 2019
52019
Musicking the body electric
S Bhagwati, I Cossette, J Berzowska, A Basanta, J Stein, J Browne, ...
Proceedings of the International Conference on Technologies for Music …, 2016
52016
Composing through the Realm of Shadows
S Bhagwati
Conceptual Layers in “Inside a Native Land” and “Vineland Stelae”». Faire …, 2010
42010
Musicking beyond Algorithms
S Bhagwati
Patterns of Intuition, 359-377, 2015
32015
Glossaire raisonné
S Bhagwati
Circuit: musiques contemporaines 28 (1), 15-22, 2018
22018
Vexations of ephemerality: extreme sight-reading in situative scores-for makers, performers, audiences
S Bhagwati
TENOR 2017: International Conference on Technologies for Music Notation and …, 2017
22017
His composing at home... Illusions from noise and from silence
S Bhagwati
NEUE ZEITSCHRIFT FUR MUSIK, 24-25, 2006
22006
Komponieren im 21. Jahrhundert: Texte 1993-99
S Bhagwati
Institut fur Elektronische Musik, 1999
21999
What is critical curating?/Qu’est-ce que le commissariat engagé?
H Sivanesan, P Day, R Rice, J Fisher, J Drobnick, P Edmonds, S Marsden, ...
RACAR: revue d'art canadienne/Canadian Art Review 43 (2), 102-123, 2018
12018
Reasoned glossary
S Bhagwati
CIRCUIT 28 (1), 15-22, 2018
12018
Stepping on the cracks or, how I compose with Indian music in mind
S Bhagwati
World of music (Wilhelmshaven) 45 (2), 113-124, 2003
12003
Die Gesänge der Ghat-Biwa
S Bhagwati
11999
Curator's Statements/Réflexions des commissaires
H Sivanesan, P Day, R Rice, J Fisher, J Drobnick, P Edmonds, S Marsden, ...
RACAR: Revue d'art canadienne/Canadian Art Review 43 (2), 104-123, 2018
2018
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