| White Gypsies: Race and stardom in Spanish musical films EW Peiró U of Minnesota Press, 2012 | 113 | 2012 |
| Visualizing Spanish Modernity S Larson, EM Woods Routledge, 2020 | 41 | 2020 |
| From rags to riches: the ideology of stardom in folkloric musical comedy films of the late 1930s and 1940s E Woods Spanish Popular Cinema, 40-59, 2004 | 29 | 2004 |
| The construction of the star system KM Vernon, EW Peiró A Companion to Spanish Cinema, 293-318, 2013 | 18 | 2013 |
| Radio Libre Folclóricas: jerarquías culturales, geográficas y de género en Torbellino (1941) E Woods Hispanismo y cine.-(La casa de la riqueza. Estudios de cultura de España; 11 …, 2007 | 10 | 2007 |
| Identification and disconnect through popular melodrama EW Peir Studies in Hispanic Cinemas 2 (2), 125-135, 2005 | 10 | 2005 |
| Surveillant filmmaking, the carceral and the transnational: image and viewers in Celda 211 E Woods Peiró Journal of Spanish Cultural Studies 16 (1), 61-75, 2015 | 8 | 2015 |
| Ambivalent Stardom and the" Race" for Modernity in El negro que tenía el alma blanca, de Benito Perojo EW Peiró Arizona Journal of Hispanic Cultural Studies, 59-76, 2006 | 8 | 2006 |
| Comedy and Musicals S Marsh, C Perriam, EW Peiró, S Zunzunegui A Companion to Spanish Cinema, 193-223, 2012 | 7 | 2012 |
| Radio Free folklóricas: Cultural, gender and spatial hierarchies in Torbellino (1941) E Woods Gender and Spanish Cinema, 201-218, 2004 | 7 | 2004 |
| Visualizing Spanish Modernity: Introduction S Larson, E Woods Visualizing Spanish Modernity, 1-23, 2020 | 5 | 2020 |
| Excess, affect, and emergent classes: melodramatic modes in" Mariquilla Terremoto"(Benito Perojo 1939) and" Filigrana"(Luis Marquina 1949) EW Peiró Letras peninsulares 16 (1), 291-316, 2003 | 5 | 2003 |
| From rags to riches: Ideological contradiction and folklórica stardom in Andalusian musical comedies, 1936–1949 EM Woods State University of New York at Stony Brook, 2000 | 5 | 2000 |
| Visualizing the Time-space of Otherness: Digression and Distraction in Spanish Silent Film E Woods Visualizing Spanish Modernity, 283-300, 2020 | 4 | 2020 |
| Subveillant narration, digital tools and videoactivism: Ciutat morta (2013) E Woods Peiró Screen 59 (2), 249-257, 2018 | 3 | 2018 |
| La presencia de lo étnico-racial en el cine de la Transición (1974-1986) EW Peiró El cine y la transición política en España:(1975-1982), 159-176, 2011 | 2 | 2011 |
| Género, memoria y cultura visual en el primer franquismo (materiales cotidianos más allá del arte) by María Rosón, Madrid, Cátedra, 2016, 336 pp.,€ 27 (paperback), ISBN13 978 … E Woods Peiró Journal of Spanish Cultural Studies 20 (3), 317-320, 2019 | | 2019 |
| RESEÑAS-Visualizing Spanish Modernity. S Larson, E Woods, J Mendelson Revista Canadiense de Estudios Hispánicos 31 (2), 387-387, 2007 | | 2007 |
| Bridging Continents: Cinematic and Literary Representations of Spanish and Latin American Themes E Woods Arizona Journal of Hispanic Cultural Studies 10, 270-272, 2006 | | 2006 |
| Spanish Silent Film E Woods Visualizing Spanish Modernity, 283, 2005 | | 2005 |
