| Mashups: neue Praktiken und Ästhetiken in populären Medienkulturen F Mundhenke, FR Arenas, T Wilke Springer-Verlag, 2014 | 35 | 2014 |
| Der Auteur und die Autoren: die Politique des Auteurs und ihre Umsetzung in der Nouvelle Vague und in Dogme 95 FR Arenas Leipziger Univ.-Verlag, 2011 | 7 | 2011 |
| Film criticism as a political weapon: theory, ideology and film activism in Nuestro Cinema (1932–1935) F Ramos Arenas Historical Journal of Film, Radio and Television 36 (2), 214-231, 2016 | 4 | 2016 |
| Wir sind nie aktiv gewesen: Interpassivität zwischen Kunst-und Gesellschaftskritik FR Arenas Kulturverl. Kadmos, 2011 | 4 | 2011 |
| EL INSTITUTO ANTES DE SALAMANCA. LOS PRIMEROS AÑOS DEL INSTITUTO DE INVESTIGACIONES Y EXPERIENCIAS CINEMATOGRÁFICAS (1947-1955)/THE INSTITUTO BEFORE SALAMANCA. THE INSTITUTO DE … FR Arenas Area abierta 16 (2), 13, 2016 | 3 | 2016 |
| Un cine leído. Cultura cinematográfica, censura y especulaciones en la España de la década de los sesenta F Ramos Arenas Journal of Spanish Cultural Studies 18 (3), 239-253, 2017 | 2 | 2017 |
| Una ‘tradición de calidad’ española. Consideraciones industriales, temáticas y estéticas en torno a las películas de Interés Nacional (1944–1964) F Ramos Arenas, R Justo Álvarez Hispanic Research Journal Iberian and Latin American Studies 18 (1), 15-29, 2017 | 2 | 2017 |
| Im Fach fast vergessen: Hugo Münsterberg – Autor der ersten wissenschaftlichen, experimentalpsychologisch fundierten Filmtheorie J Kretzschmar, F Ramos Arenas, S Denise, R Steinmetz Medien & Kommunikationswissenschaft 63 (3), 399-418, 2015 | 2 | 2015 |
| A Decade between Resistance and Adaptation: the Leipzig University Film Club (1956-1966) F Ramos Arenas Cinema in Service of the State. Perspectives on Film Culture in the GDR and …, 2015 | 2* | 2015 |
| Filmvermarktung, Subversion, Anpassung FR Arenas Mashups, 79-93, 2015 | 1 | 2015 |
| Writing about a Common Love for Cinema: Discourses of Modern Cinephilia as a trans-European Phenomenon F Ramos Arenas Trespassing Journal 1, 18-33, 2012 | 1* | 2012 |
| From Stalinism to Cinephilia: The Emergence of East German Film Culture in the 1950s F Ramos Arenas Historical Journal of Film, Radio and Television 39 (2), 271-289, 2019 | | 2019 |
| Framing Political Change: A comparative analysis of the role played by media in the political transitions of Spain (1981) and the German Democratic Republic (1989) F Ramos Arenas, V Martín Jiménez Media History, 1-15, 2018 | | 2018 |
| Zur Filmkultur in der DDR um 1960 FR Arenas Die Herausforderungen des Films, 339-356, 2018 | | 2018 |
| Cineclubs y las políticas de la cultura cinematográfica en España y la RDA en torno a 1960 F Ramos-Arenas Servicio de Publicaciones de la Universidad de Navarra, 2017 | | 2017 |
| Cineclubs y las políticas de la cultura cinematográfica en España y la RDA en torno a 1960 FR Arenas Comunicación y Sociedad 30 (1), 1, 2017 | | 2017 |
| Reading the cinema. Film culture, censorship and speculation in Spain in the 1960s FR Arenas JOURNAL OF SPANISH CULTURAL STUDIES 18 (3), 239-253, 2017 | | 2017 |
| A'tradition of quality'Spanish. Industrial, thematic and aesthetic considerations around films of National Interest (1944-1964) F Ramos Arenas, R Justo Alvarez HISPANIC RESEARCH JOURNAL-IBERIAN AND LATIN AMERICAN STUDIES 18 (1), 15-29, 2017 | | 2017 |
| Film Clubs and Film Cultural Policies in Spain and the GDR around 1960 F Ramos Arenas Communication & Society 30 (1), 1-15, 2017 | | 2017 |
| Zwischen transnationalem Kulturtransfer und nationalen Medienlandschaften FR Arenas Transnationale Medienlandschaften, 291-306, 2017 | | 2017 |
Florian MundhenkeUniversität LeipzigVerified email at uni-hamburg.de
