Performing gender violence: Plays by contemporary American women dramatists B Ozieblo, N Hernando-Real Springer, 2012 | 39 | 2012 |
Self and space in the theater of Susan Glaspell N Hernando-Real McFarland, 2011 | 23 | 2011 |
E Pluribus Plurum”: From a Unifying National Identity to Plural Identities in Susan Glaspell’s Inheritors’ N Hernando-Real Codifying the National Self: Spectators, Actors and the American Dramatic …, 2006 | 7 | 2006 |
Voces contra la mediocridad: la vanguardia teatral de los Provincetown Players, 1915-1922 NH Real Universitat de València, 2017 | 6 | 2017 |
My Home, My Battleground: The Deconstruction of the American Family N Hernando-Real Performing Gender Violence: Plays by Contemporary American Women Dramatists …, 2012 | 5 | 2012 |
American Women Playwrights and Violence against Women N Hernando-Real, B Ozieblo Performing Gender Violence: Plays by Contemporary American Women Dramatists …, 2012 | 5 | 2012 |
Drama and Cultural Pluralism in the America of Susan Glaspell’s Inheritors N Hernando-Real Interrogating America through Theatre and Performance, 65-80, 2007 | 5 | 2007 |
Staging the Sounds of a Nation: The Poetic Soundscapes of the USA A Fernandez-Caparros Estudios Ingleses de la Universidad Complutense 23, 7-13, 2015 | 3 | 2015 |
An Exorcism on The Outside, or Looking into Trifles—Before Breakfast: Geopathic Crises in the Plays of Eugene O'Neill and Susan Glaspell N Hernando-Real The Eugene O'Neill Review 38 (1-2), 74-92, 2017 | 2 | 2017 |
Sin hogar, sin identidad: el teatro feminista de Jane Bowles N Hernando-Real Publicacions de la Universitat Jaume I, 2012 | 2 | 2012 |
Sane enough to kill: on women, madness and the theatricality of violence in Susan Glaspell's The Verge NH Real Violence in American drama essays on its staging, meanings and effects, 59-71, 2011 | 2 | 2011 |
Rosas en la arena: los relatos de Susan Glaspell NH Real Universitat de València, 2022 | 1 | 2022 |
Still Struggling with the Male Gaze: Feminism and Contemporary Representations of Hysteria on the Stage and on the Screen. Sarah Ruhl's In the Next Room and Tanya Wexler's Hysteria N Hernando-Real New England Theatre Journal 26, 103-121, 2015 | 1 | 2015 |
Introduction: SPECIAL SECTION ON “GAME OVER!”: US DRAMA AND THEATER AND THE END (S) OF AN AMERICAN IDEA (L) N Hernando-Real, J Bak Revista de Estudios Norteamericanos 27, 2023 | | 2023 |
Marcia Noe. Three Midwestern Playwrights: How Floyd Dell, George Cram Cook, and Susan Glaspell Transformed American Theatre N Hernando-Real Modern Drama 66 (4), 579-582, 2023 | | 2023 |
Lauren Gunderson (b. 1982) N Hernando-Real The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism …, 2023 | | 2023 |
The provincetown players and the federal theatre: The essay Susan Glaspell never wrote N Hernando Real Federal Theatre Project (1935-1939): contexte et enjeux, 2023 | | 2023 |
Glaspell’s Recovered Early Fiction: On Her Six “New” Short Stories NH Real, A Stratford, C Black, J Dickey, M Noe, V Makowsky, ... Susan Glaspell in Context, 37-48, 2023 | | 2023 |
The Provincetown Players and the Federal Theatre: The Essay Susan Glaspell Never Wrote NH Real Federal Theatre Project (1935-1939): contexte & enjeux/context & issues, 299-326, 2023 | | 2023 |
Susan Glaspell and Emily Dickinson NH Real Susan Glaspell in Context, 186-193, 2023 | | 2023 |