| Digital humanities pedagogy: Practices, principles and politics B D Hirsch Open Book Publishers, 2012 | 179 | 2012 |
| : Digital humanities and the place of pedagogy BD Hirsch Open Book Publishers, 2012 | 83 | 2012 |
| Style, computers, and Early Modern drama: beyond authorship H Craig, B Greatley-Hirsch Cambridge University Press, 2017 | 56 | 2017 |
| An Italian Werewolf in London: Lycanthropy and The Duchess of Malfi BD Hirsch Early Modern Literary Studies 11 (2), 43-paragraphs, 2005 | 31 | 2005 |
| Arden of Faversham, Shakespearean authorship, and ‘the print of many’ J Elliott, B Greatley-Hirsch The New Oxford Shakespeare: Authorship Companion, 139-81, 2017 | 27* | 2017 |
| From Jew to Puritan: the emblematic owl in early English culture B Greatley-Hirsch ‘This Earthly Stage’: World and Stage in Late Medieval and Early Modern …, 2010 | 27 | 2010 |
| Counterfeit professions: Jewish daughters and the drama of failed conversion in Marlowe's the Jew of Malta and Shakespeare's the Merchant of Venice BD Hirsch Early Modern Literary Studies 12 (19 SI), 2009 | 23 | 2009 |
| Underpinnings of the social edition? A narrative, 2004-9, for the Renaissance English Knowledgebase (REKn) and Professional Reading Environment (PReE) projects R Siemens, M Elkink, A McColl, K Armstrong, J Dixon, A Saby, BD Hirsch, ... Online humanities scholarship: The shape of things to come, 401-460, 2010 | 17 | 2010 |
| ‘What are these faces?’Interpreting Bearded Women in Macbeth B Greatley-Hirsch Renaissance Drama and Poetry in Context: Essays for Christopher Wortham, 91-114, 2008 | 16 | 2008 |
| “Mingled Yarn”: The State of Computing in Shakespeare 2.0 BD Hirsch, H Craig The Shakespearean International Yearbook, 3-36, 2017 | 15 | 2017 |
| 'A gentle and no Jew': the difference marriage makes in The Merchant of Venice. BD Hirsch Parergon 23 (1), 119-129, 2006 | 15 | 2006 |
| The Kingdom has been Digitized: Electronic Editions of Renaissance Drama and the Long Shadows of Shakespeare and Print BD Hirsch Literature Compass 8 (9), 568-591, 2011 | 13 | 2011 |
| with Martin Holmes RG Siemens, M Elkink, A McColl, K Armstrong, J Dixon, A Saby, ... Eric Haswell, Chris Gaudet, Paul Girn, Michael Joyce, Rachel Gold, and Gerry …, 2010 | 12 | 2010 |
| Beyond the text: Digital editions and performance BD Hirsch, J Jenstad Shakespeare Bulletin 34 (1), 107-127, 2016 | 10 | 2016 |
| The Taming of the Jew: Spit and the Civilizing Process in The Merchant of Venice BD Hirsch Staged Transgression in Shakespeare’s England, 136-152, 2013 | 10 | 2013 |
| ‘This Earthly Stage’ World and Stage in Late Medieval and Early Modern England B Hirsch, C Wortham Brepols Publishers, 2010 | 9 | 2010 |
| Building A Social Edition of the Devonshire Manuscript C Crompton, D Powell, A Arbuckle, R Siemens, M Shirley, ... Renaissance and Reformation 37 (4), 131-156, 2014 | 8 | 2014 |
| Lycanthropy in Early Modern England: The Case of John Webster's the'Duchess of Malfi' B Hirsch Diseases of the Imagination and Imaginary Disease in the Early Modern Period …, 2011 | 8 | 2011 |
| Drawing Networks in the Devonshire Manuscript (BL Add 17492): Toward Visualizing a Writing Community's Shared Apprenticeship, Social Valuation, and Self-Validation R Siemens, J Paquette, K Armstrong, C Leitch, BD Hirsch, E Haswell, ... Digital Studies/Le champ numérique, 2009 | 8 | 2009 |
| Underpinnings of the social edition R Siemens A narrative 9, 2004 | 8 | 2004 |
Hugh CraigProfessor of English, University of Newcastle, AustraliaVerified email at newcastle.edu.au
