| Expression and its discontents: toward an ecology of musical creation M Gurevich, J Treviño Proceedings of the 7th international conference on New interfaces for …, 2007 | 120 | 2007 |
| Using data sonification to overcome science literacy, numeracy, and visualization barriers in science communication N Sawe, C Chafe, J Treviño Frontiers in Communication 5, 46, 2020 | 50 | 2020 |
| Abjad: An open-source software system for formalized score control T Baca, JW Oberholtzer, J Trevino, V Adán Proceedings of The First International Conference on Technologies for Music …, 2015 | 12 | 2015 |
| A hierarchic diff algorithm for collaborative music document editing C Antila, J Treviño, G Weaver Third International Conference on Technologies for Music Notation and …, 2017 | 11 | 2017 |
| Compositional and analytic applications of automated music notation via object-oriented programming JR Trevino UC San Diego, 2013 | 6 | 2013 |
| Scuba: The self-contained unified bass augmenter JP Cáceres, GJ Mysore, J Treviño Proceedings of the 2005 conference on New interfaces for musical expression …, 2005 | 6 | 2005 |
| Automated notation of piano recordings for historic performance practice study J Treviño, C Sapp Journal on Computing and Cultural Heritage (JOCCH) 7 (3), 1-7, 2014 | 3 | 2014 |
| Marilyn nonken: the spectral piano: from Liszt, Scriabin, and Debussy to the digital age J Trevino Computer Music Journal 39 (3), 92-96, 2015 | 2 | 2015 |
| 2007: Expression and Its Discontents: Toward an Ecology of Musical Creation M Gurevich, J Treviño A NIME Reader: Fifteen Years of New Interfaces for Musical Expression, 299-315, 2017 | 1 | 2017 |
| The Audio Programming Book, Edited by Richard Boulanger and Victor Lazzarini J Trevino, D Allen Computer Music Journal 36 (2), 85-89, 2012 | 1 | 2012 |
| Sounds of the stars: how scientists are listening in on space A Zanella, J Noel-Storr, N Misdariis, WL Diaz-Merced, C Scaletti, ... NATURE 611 (7935), 204-204, 2022 | | 2022 |
| Trevor Baca Harvard University J Trevino, V Adán | | 2015 |
| Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts H Howe Computer Music Journal 37 (2), 93-99, 2013 | | 2013 |
| The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde J Treviño Computer Music Journal 34 (1), 104-106, 2010 | | 2010 |
| Continuity J Treviñno Computer Music Journal 33 (2), 107-108, 2009 | | 2009 |
| Simon Emmerson: Spaces and Places J Treviño Computer Music Journal 32 (4), 88-89, 2008 | | 2008 |
| Spaces and Places J Treviño Computer Music Journal 32 (4), 88-89, 2008 | | 2008 |
| Neil Rolnick: Shadow Quartet J Treviño Computer Music Journal 32 (1), 97-98, 2008 | | 2008 |
| Substitute Judgment+ Metal catalogue: music for solo multi-percussion hybridized with synchronized, integrated video J Treviño, R Karre ACM SIGGRAPH 2007 art gallery, 186, 2007 | | 2007 |
Juan-Pablo CaceresAdobe ResearchVerified email at ccrma.stanford.edu
