| Timelines in spectral composition: a cognitive approach to musical creativity JL Besada, CP Cánovas Organised Sound 25 (2), 142-155, 2020 | 14 | 2020 |
| The tonnetz environment: a web platform for computer-aided “mathemusical” learning and research C Guichaoua, JL Besada, E Bisesi, M Andreatta 13th international conference on computer supported education, 680-689, 2021 | 12 | 2021 |
| Math and music, models and metaphors: Alberto Posadas'‘Tree-like structures’ JL Besada Contemporary Music Review 38 (1-2), 107-131, 2019 | 11 | 2019 |
| Gearing Time Toward Musical Creativity: Conceptual Integration and Material Anchoring in Xenakis’ Psappha JL Besada, AS Barthel-Calvet, C Pagan Canovas Frontiers in Psychology 11, 611316, 2021 | 10 | 2021 |
| Metamodels in Compositional Practices. The Case of Alberto Posadas’s Liturgia Fractal JL Besada IRCAM/Delatour France, 2017 | 9 | 2017 |
| La prise de l’IRCAM? Spanish Composers Facing New Technologies JL Besada Contemporary Music Review 38 (1-2), 206-224, 2019 | 7 | 2019 |
| Cover, Custom, and DIY? Memetic Features in Multimedia Creative Practices JL Besada Contemporary Music Review 41 (4), 382-400, 2022 | 6 | 2022 |
| ¿ Una historia de la música espectral española? Transferencias culturales transnacionales en el último cambio de siglo JL Besada, PO Eslava Acta musicologica 91 (Fasc.] 2), 168-189, 2019 | 6 | 2019 |
| Xenakis’ Sieve Theory: A Remnant of Serial Music? JL Besada Music Theory Online 28 (2), 2022 | 5 | 2022 |
| Spain beyond Spain: Contemporary Spanish Music in a Global Context JL Besada, D Albertson Contemporary Music Review 38 (1-2), 1-6, 2019 | 5 | 2019 |
| Where Science-Based Music Comes From: Some Cognitive Remarks upon Contemporary Compositional Practices Inspired by Mathematical Concepts, Operations, and Objects JL Besada Twentieth-Century Music and Mathematics, 261-277, 2019 | 5 | 2019 |
| Flamenco, Fractals, and the Refigured Past: Three Creative Paths for Implementing Microtones in Contemporary Spanish String Quartets JL Besada Perspectives of New Music 55 (1), 5-39, 2017 | 5 | 2017 |
| Computer, Formalisms, Intuition and Metaphors. A Xenakian and Post-Xenakian Approach JL Besada ICMC, 2014 | 4 | 2014 |
| @ Newmusic# Soundart: Contemporary Music in the Age of Social Media A Fryberger, JL Besada, Z Kanga Contemporary Music Review 41 (4), 329-336, 2022 | 3 | 2022 |
| José Manuel López López’s Chart for managing tempi JL Besada Journal of Mathematics and Music 16 (2), 236-238, 2022 | 3 | 2022 |
| Empowerment durch multimediale Praktiken JL Besada Neue Zeitschrift fur Musik 183 (3), 31-34, 2022 | 3 | 2022 |
| Teaching the History of Twentieth and Twenty-First-Century Art Music in Spanish Universities and Conservatories JL Besada, BP Castillo ANLKAENGE 2018: Die Musikgeschichte des 20. und 21. Jahrhunderts im …, 2019 | 3 | 2019 |
| Enjeux cognitifs des métaphores physiques dans le processus créatif d’Hèctor Parra JL Besada Les dimensions relationnelles de l’art, 11-44, 2018 | 3 | 2018 |
| Selbstähnlichkeit als Selbstreferenz: Einige Anmerkungen zu Fraktal-Inspirierter Musik JL Besada Neue Zeitschrift für Musik, 16-19, 2017 | 3 | 2017 |
| Composición y modelos exógenos: aplicación en la música contemporánea española JL Besada Portas Composición y modelos exógenos: aplicación en la música contemporánea española, 2015 | 3 | 2015 |
Cristóbal Pagán CánovasUniversity of Murcia (Spain), University of Tübingen (Germany)Verified email at um.es
