| Performing sites: Illusion and authenticity in the spatial stories of the guided tour D Overend Scandinavian Journal of Hospitality and Tourism 12 (1), 44-54, 2012 | 82 | 2012 |
| Wild Performatives: experiments in rewilding at the Knepp Wildland Project D Overend, JSP Lorimer GeoHumanities, 2018 | 20 | 2018 |
| Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute L Bissell, D Overend Humanities 4 (3), 476-499, 2015 | 20* | 2015 |
| Making Routes: Relational journeys in contemporary performance D Overend Studies in Theatre & Performance 33 (3), 365-381, 2013 | 13 | 2013 |
| Early Days: Reflections on the Performance of a Referendum L Bissell, D Overend Contemporary Theatre Review 25 (2), 242-250, 2015 | 10 | 2015 |
| Reflections on a mobile train conference from Helsinki to Rovaniemi L Bissell, D Overend cultural geographies 22 (4), 731-735, 2015 | 9 | 2015 |
| Dramaturgies of mobility: on the road with Rob Drummond’s Bullet Catch D Overend Studies in Theatre and Performance 35 (1), 36-51, 2015 | 8 | 2015 |
| Underneath the arches: Developing a relational theatre practice in response to a specific cultural site D Overend | 7 | 2011 |
| The bones beneath the streets: drifting through London’s Quaternary D Overend, J Lorimer, D Schreve cultural geographies 27 (3), 453-475, 2020 | 6 | 2020 |
| Making Routes: Journeys in Performance 2010-2020 L Bissell, D Overend Triarchy Press, 2021 | 4 | 2021 |
| Field works: wild experiments for performance research D Overend Studies in Theatre and Performance 43 (1), 70-90, 2023 | 3 | 2023 |
| Clubbing Audiences: Relational Theatre Practice at ‘Death Disco’ D Overend New Theatre Quarterly 28 (1), 67-79, 2012 | 3 | 2012 |
| Bullet Catch R Drummond, D Overend | 3 | 2012 |
| Making Routes: Journeys in Live Art, A Study Room Guide D Overend London, LADA, 2012 | 3* | 2012 |
| ‘The majority has spoken’: performing referenda at the National Theatre D Overend, O Heath Studies in Theatre and Performance 41 (2), 143-165, 2021 | 2 | 2021 |
| Essais: Essai (French:test',attempt',trial',tryout') D Overend Theatre, Dance and Performance Training 9 (1), 125-129, 2018 | 2* | 2018 |
| Performance in the Field: Interdisciplinary practice-as-research D Overend Springer Nature, 2023 | 1 | 2023 |
| Rantin and Raving: Kieran Hurley’s Aesthetic Communities D Overend Contemporary Theatre Review 29 (2), 166-179, 2019 | 1 | 2019 |
| A Work on Progress: Documentation and Exegesis D Overend Journal for Artistic Research 1 (1), 2011 | 1 | 2011 |
| 'Loose Ends and Missing Links': Learning Journeys in the Postdigital City. D Overend, S Ewing, D Swanton Postdigital Learning Spaces, 2024 | | 2024 |
Jamie LorimerProfessor of Environmental Geography, University of OxfordDirección de correo verificada de ouce.ox.ac.uk
