Introduction: Re/presentations of Crisis in Twenty-First-Century US Literature and Culture A Fernández-Caparrós, AM Brígido-Corachán Studies in the Literary Imagination 50 (1), v-xx, 2017 | 7 | 2017 |
The Geography of Imagination: Urban Mapping of Social Networks in John Guare's" Six Degrees of Separation" AFC Turina South Atlantic Review 76 (4), 57-74, 2011 | 6 | 2011 |
Death and the Community of Comic Romance: Sarah Ruhl’s Poetics of Transformation in Dead Man’s Cell Phone A Fernández-Caparrós Contemporary Theatre Review 25 (4), 488-501, 2015 | 4 | 2015 |
Staging the Sounds of a Nation: The Poetic Soundscapes of the USA A Fernandez-Caparros Estudios Ingleses de la Universidad Complutense 23, 7-13, 2015 | 3 | 2015 |
The World Grasped as Picture: Subjective Vision and the Embodiment of Male Gaze in Sam Shepard’s Seduced AFC Turina Journal of Contemporary Drama in English 2 (2), 260-274, 2014 | 3 | 2014 |
Rise of Love and the People: French Matter and Manner in the Early Victorian Drama of Edward Bulwer-Lytton A Fernández-Caparrós Turina Cahiers victoriens et édouardiens, 2017 | 2 | 2017 |
Introduction: Imagining Crisis in Twenty-First-Century American Literature and Media AM Brígido-Corachán, A Fernández-Caparrós Studies in the Literary Imagination 50 (2), v-ix, 2017 | 1 | 2017 |
Iraqi Ghosts in the Heart of America: Rajiv Joseph's Bengal Tiger at the Baghdad Zoo A Fernández-Caparrós Studies in the Literary Imagination 50 (2), 35-52, 2017 | 1 | 2017 |
Transformative otherworldly translations in Sarah Ruhl's Eurydice (2003) AFC Turina Re-thinking literary identities: Great Britain, Europe and beyond, 119-133, 2017 | 1 | 2017 |
The Rise and Fall of the Horse Dreamer in Sam Shepard's Drama. ANA FERNÁNDEZ-CAPARRÓS TURINA Atlantis (0210-6124) 38 (1), 2016 | 1 | 2016 |
The influence of jazz and the reconstruction of the imagination in Sam Shepard's Suicide in B-Flat: creating" a new dimension" in form and perception/La influencia del jazz y … AFC Turina Estudios Ingleses de la Universidad Complutense 16, 67-88, 2008 | 1 | 2008 |
Horses and Cowboys on the Contemporary American Stage: The Horse as Prop in Sam Shepard’s Kicking a Dead Horse and Sarah Ruhl’s Late: a cowboy song A Fernández-Caparrós Studies in Theatre and Performance 43 (1), 91-107, 2023 | | 2023 |
Intimations of Precarity in Twenty-First-Century US Drama: Faltering Voices of the Precariat in Annie Baker’s The Flick A Fernández-Caparrós Universitat Jaume I amb el suport del Servei de Comunicació i Publicacions, 2021 | | 2021 |
Nuevas dramaturgias de la vulnerabilidad y la sugestión en el teatro estadounidense del siglo XXI AFC Turina Nerter: Revista dedicada a la literatura, el arte y el conocimiento, 42-54, 2020 | | 2020 |
Citas, préstamos y transformaciones en la levedad del hibridismo de Sarah Ruhl A Fernández-Caparrós Turina reCHERches. Culture et histoire dans l'espace roman, 98-107, 2017 | | 2017 |
Fool for Love y la estirpe de fantaseadores del teatro de Sam Shepard AFC Turina Miscelánea: A Journal of English and American Studies 54, 51-67, 2016 | | 2016 |
FOOL FOR LOVE Y LA ESTIRPE DE LOS FANTASEADORES EN EL TEATRO DE SAM SHEPARD. ANA FERNÁNDEZ-CAPARRÓS TURINA Miscelánea: A Journal of English & American Studies 54, 2016 | | 2016 |
El ascenso y la caida del sonador de caballos en el teatro de Sam Shepard AFC Turina Atlantis, revista de la Asociación Espańola de Estudios Anglo …, 2016 | | 2016 |
The Rise and Fall of the Horse Dreamer in Sam Shepard's Drama/El ascenso y la caída del sońador de caballos en el teatro de Sam Shepard AFC Turina Atlantis, 109-127, 2016 | | 2016 |
Contemporary US women playrights' transatlantic odes to lightness: a tribute to María Inés Fornés and her disciples AFC Turina Estudios de género: visiones transatlánticas, 331-344, 2016 | | 2016 |