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Ana Fernández-Caparrós Turina
Ana Fernández-Caparrós Turina
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Title
Cited by
Cited by
Year
Introduction: Re/presentations of Crisis in Twenty-First-Century US Literature and Culture
A Fernández-Caparrós, AM Brígido-Corachán
Studies in the Literary Imagination 50 (1), v-xx, 2017
72017
The Geography of Imagination: Urban Mapping of Social Networks in John Guare's" Six Degrees of Separation"
AFC Turina
South Atlantic Review 76 (4), 57-74, 2011
62011
Death and the Community of Comic Romance: Sarah Ruhl’s Poetics of Transformation in Dead Man’s Cell Phone
A Fernández-Caparrós
Contemporary Theatre Review 25 (4), 488-501, 2015
42015
Staging the Sounds of a Nation: The Poetic Soundscapes of the USA
A Fernandez-Caparros
Estudios Ingleses de la Universidad Complutense 23, 7-13, 2015
32015
The World Grasped as Picture: Subjective Vision and the Embodiment of Male Gaze in Sam Shepard’s Seduced
AFC Turina
Journal of Contemporary Drama in English 2 (2), 260-274, 2014
32014
Rise of Love and the People: French Matter and Manner in the Early Victorian Drama of Edward Bulwer-Lytton
A Fernández-Caparrós Turina
Cahiers victoriens et édouardiens, 2017
22017
Introduction: Imagining Crisis in Twenty-First-Century American Literature and Media
AM Brígido-Corachán, A Fernández-Caparrós
Studies in the Literary Imagination 50 (2), v-ix, 2017
12017
Iraqi Ghosts in the Heart of America: Rajiv Joseph's Bengal Tiger at the Baghdad Zoo
A Fernández-Caparrós
Studies in the Literary Imagination 50 (2), 35-52, 2017
12017
Transformative otherworldly translations in Sarah Ruhl's Eurydice (2003)
AFC Turina
Re-thinking literary identities: Great Britain, Europe and beyond, 119-133, 2017
12017
The Rise and Fall of the Horse Dreamer in Sam Shepard's Drama.
ANA FERNÁNDEZ-CAPARRÓS TURINA
Atlantis (0210-6124) 38 (1), 2016
12016
The influence of jazz and the reconstruction of the imagination in Sam Shepard's Suicide in B-Flat: creating" a new dimension" in form and perception/La influencia del jazz y …
AFC Turina
Estudios Ingleses de la Universidad Complutense 16, 67-88, 2008
12008
Horses and Cowboys on the Contemporary American Stage: The Horse as Prop in Sam Shepard’s Kicking a Dead Horse and Sarah Ruhl’s Late: a cowboy song
A Fernández-Caparrós
Studies in Theatre and Performance 43 (1), 91-107, 2023
2023
Intimations of Precarity in Twenty-First-Century US Drama: Faltering Voices of the Precariat in Annie Baker’s The Flick
A Fernández-Caparrós
Universitat Jaume I amb el suport del Servei de Comunicació i Publicacions, 2021
2021
Nuevas dramaturgias de la vulnerabilidad y la sugestión en el teatro estadounidense del siglo XXI
AFC Turina
Nerter: Revista dedicada a la literatura, el arte y el conocimiento, 42-54, 2020
2020
Citas, préstamos y transformaciones en la levedad del hibridismo de Sarah Ruhl
A Fernández-Caparrós Turina
reCHERches. Culture et histoire dans l'espace roman, 98-107, 2017
2017
Fool for Love y la estirpe de fantaseadores del teatro de Sam Shepard
AFC Turina
Miscelánea: A Journal of English and American Studies 54, 51-67, 2016
2016
FOOL FOR LOVE Y LA ESTIRPE DE LOS FANTASEADORES EN EL TEATRO DE SAM SHEPARD.
ANA FERNÁNDEZ-CAPARRÓS TURINA
Miscelánea: A Journal of English & American Studies 54, 2016
2016
El ascenso y la caida del sonador de caballos en el teatro de Sam Shepard
AFC Turina
Atlantis, revista de la Asociación Espańola de Estudios Anglo …, 2016
2016
The Rise and Fall of the Horse Dreamer in Sam Shepard's Drama/El ascenso y la caída del sońador de caballos en el teatro de Sam Shepard
AFC Turina
Atlantis, 109-127, 2016
2016
Contemporary US women playrights' transatlantic odes to lightness: a tribute to María Inés Fornés and her disciples
AFC Turina
Estudios de género: visiones transatlánticas, 331-344, 2016
2016
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Articles 1–20