| Bourdieu, Boswell and the Baroque Body: Cultural Choreography in Fuenteovejuna LL Vidler Comedia Performance 9 (1), 38-64, 2012 | 14 | 2012 |
| Performance Reconstruction and Spanish Golden Age Drama: Reviving and Revising the Comedia L Vidler Springer, 2016 | 12 | 2016 |
| Coming to America: Translating Culture in Two U.S. Productions of the Spanish Comedia LL Vidler Comedia Performance 2 (1), 69-98, 2005 | 12 | 2005 |
| The “gift” of time: Documenting faculty decisions to stop the tenure clock during a pandemic JL Smith, LL Vidler, MS Moses Innovative Higher Education 47 (5), 875-893, 2022 | 11 | 2022 |
| 'The Great Choreographer': Embodying Space in" Fuenteovejuna" LL Vidler Early Theatre 15 (2), 205-219, 2012 | 7 | 2012 |
| ‘What the Hell are the Mormons Doing at the Cutting Edge of Foreign Language Theater?’: An Interview with Jason Yancey LL Vidler Comedia Performance 3 (1), 209, 2006 | 5 | 2006 |
| Towards a Model of Historical Staging Reconstruction of Spanish Golden Age Theater: Fabia in Lope de Vegas El caballero de Olmedo L Vidler The Theater of Teaching and the Lessons of Theater, 63-78, 2005 | 5 | 2005 |
| Introduction: Playing with space in the early modern theatre P Yachnin, A Brown, HL Duncan, M Eberhart, J Roberts-Smith, LL Vidler Early Theatre 15 (2), 147-153, 2012 | 4 | 2012 |
| 'Kinesthetic Empathy'and the Comedia refundición L Vidler, H Erdman, SP de García Remaking the Comedia: Spanish Classical Theater in Adaptation 346, 197, 2015 | 2 | 2015 |
| El Médico de Su Honra La Dama Duende La Discreta Enamorada Tres Obras Cortas Del Siglo de Oro LL Vidler, C Gascón Comedia Performance 9 (1), 251-270, 2012 | 2 | 2012 |
| Entre la espada y el escenario: The Presence, Absence and Manipulation of Stage Properties in Lope’s El caballero de Olmedo LL Vidler Comedia Performance 1 (1), 95-125, 2004 | 2 | 2004 |
| Staging “El caballero de Olmedo” LL Vidler University of California, Irvine, 2002 | 2 | 2002 |
| Natural Magick: El retablo de las maravillas as Projected Performance LL Vidler Cervantes 41 (2), 161-185, 2021 | 1 | 2021 |
| The" Severed Gate": Staging the Versatility and (Im) Permeability of the Reja LL Vidler Bulletin of the Comediantes 59 (1), 69-88, 2007 | 1 | 2007 |
| El caballero de Olmedo LL Vidler Comedia Performance 3 (1), 228-240, 2006 | 1 | 2006 |
| Step Up to Serve: If Not You, Who? If Not Now, When? LL Vidler 2023 MLA Annual Convention, 2023 | | 2023 |
| Improving Assessment Strategies and Culture through College Collaboration and Coaching. LK Bonneau, LL Vidler Assessment Update 34 (3), 2022 | | 2022 |
| La comedia y los animales en performance LL Vidler El teatro clásico en su (s) cultura (s): de los Siglos de Oro al siglo XXI …, 2017 | | 2017 |
| Triunfo de Amor LL Vidler Comedia Performance 13 (1), 218-222, 2016 | | 2016 |
| 2013 Siglo de Oro Drama Festival, Chamizal AL Halling, LL Vidler Bulletin of the Comediantes 67 (1), 167-169, 2015 | | 2015 |
Michele S. MosesProfessor of Educational Foundations, Policy and Practice, University of Colorado BoulderVerified email at colorado.edu
