| Audification and non-standard synthesis in Construction in Self R Ikeshiro Organised Sound 19 (1), 78-89, 2014 | 7 | 2014 |
| Audiovisual Harmony: The realtime audiovisualisation of a single data source in Construction in Zhuangzi R Ikeshiro Organised Sound 17 (2), 148-155, 2012 | 7 | 2012 |
| Studio Composition: Live audiovisualisation using emergent generative systems R Ikeshiro Goldsmiths, University of London, 2013 | 4 | 2013 |
| GENDYN and Merzbow: a noise theory critique of Xenakis’s dynamic stochastic synthesis and its relevance on noise music today R Ikeshiro Proceedings of the Xenakis International Symposium, 2011 | 4 | 2011 |
| Charting the scene (s) of sonic arts in Hong Kong R Ikeshiro, D Charrieras, P Lindborg Organised Sound 27 (3), 369-378, 2022 | 3 | 2022 |
| bug R Ikeshiro The International Conference on New Interfaces for Musical Expression 2023, 2023 | 2 | 2023 |
| Construction in Kneading: Audiovisualising the Mandelbox R Ikeshiro The 26th International Conference on Auditory Display (ICAD 2021) 26, 2021 | 2* | 2021 |
| Sound in Japan: Silence, Noise, Material, and Media R Ikeshiro, A Tanaka Sound Art: Sound as a Medium of Art, 654-667, 2019 | 2 | 2019 |
| Generetive, Emergent, Self-Similar Structures: Construction In Self. R Ikeshiro ICMC, 2010 | 2 | 2010 |
| PulseCubes: An Interactive sound installation as interface and new media object R Ikeshiro Toronto Electroacoustic Symposium 2012, 2012 | 1 | 2012 |
| Audiovisualising climate data: Art and climate action R Ikeshiro, L Simon 12th International Conference on Music and Sonic Art (MuSA 2023): Seeing …, 2023 | | 2023 |
| SoundLab, first three years [studio report] PM Lindborg, R Ikeshiro 2023 International Computer Music Conference (ICMC 2023): The Sound of …, 2023 | | 2023 |
| Female soundwalk: Chinese female immigrants and public space in Hong Kong GUI Ren, R IKESHIRO isaScience 2023 Conference: Rethinking Communities and Collectives, 2023 | | 2023 |
| Sonic Topologies: Hong Kong: Performance for M+ at Night: Sensory Encounters R Ikeshiro M+ at Night: Sensory Encounters, 2023 | | 2023 |
| Performance–Tai Kwun Conversations: Sound Imprints R Ikeshiro Tai Kwun Conversations: Sound Imprints, 2023 | | 2023 |
| Tseung Kwan O, Hong Kong R Ikeshiro REVEIL 2023, 2023 | | 2023 |
| CCCCaaaallllllllOOOOnnnnMMMMeeee (2017) R Ikeshiro The San Francisco Tape Music Festival 2023, 2023 | | 2023 |
| Rituals, Rhythms & Reveries R Ikeshiro -I (2022): From You And I Are Water Earth Fire Air Of Life And Death, 2022 | | 2022 |
| Ethnic Diversity in Sites of Cultural Activity: Images from performance at Chisenhale Art Place, London, 2015 R Ikeshiro | | 2022 |
| Destination: Sound, memories, and LGBTQ identities in a Beijing nightclub R Gui, R Ikeshiro Eleventh International Conference on Music and Sonic Art: Sounding Identities, 2022 | | 2022 |
PerMagnus LindborgSchool of Creative Media, City University of Hong KongVerified email at permagnus.org
