| Sor Juana as Feminist Playwright: The Gracioso’s Satiric Function in Los empeños de una casa CB Weimer Latin American Theatre Review 26 (1), 91-98, 1992 | 25 | 1992 |
| Duplicitous Diegesis: "Don Quijote" and Charlie Kaufman's "Adaptation" B Simerka, CB Weimer Hispania, 91-100, 2005 | 23 | 2005 |
| Ana Caro's El Conde Partinuplés and Calderón's La vida es sueño: Protofeminism and Heuristic Imitation CB Weimer Bulletin of the Comediantes 52 (1), 123-146, 2000 | 20 | 2000 |
| Echoes and Inscriptions: Comparative Approaches to Early Modern Spanish Literatures B Simerka, CB Weimer Bucknell University Press, 2000 | 14 | 2000 |
| The (Homo) erotics of Privanza: the Count of Villamediana and Tirso's Privar contra su gusto C Weimer Delgado and Saint-Saëns, 257-79, 2000 | 11 | 2000 |
| Going to Extremes: Barthes, Lacan, and Cervantes's ''La gran sultana" CB Weimer Identity, Gender, and Representation in Spain’s Golden Age, 47-60, 2000 | 11 | 2000 |
| Desire, Crisis, and Violence in Fuenteovejuna: A Girardian Perspective CB Weimer El arte nuevo de estudiar comedias: Literary Theory and Spanish Golden Age …, 1996 | 11 | 1996 |
| The Quixotic Art: Cervantes, Vasari, and Michelangelo CB Weimer Writing for the Eyes in the Spanish Golden Age, 63-84, 2004 | 9 | 2004 |
| Journeys from Frustration to Empowerment: Cat on a Hot Tin Roof and its Debt to Garda Lorca's Yerma CB Weimer Modern Drama 35 (4), 520-529, 1992 | 9 | 1992 |
| The Politics of Husband-Murder: Gender, Supplementarity and Sacrifice in Lope de Vega's" La reina Juana de Nápoles" CB Weimer Hispanic Review, 32-52, 2001 | 8 | 2001 |
| Mimesis and Sacrifice: Girardian Theory and Women's Comedias CB Weimer Engendering the Early Modern Stage: Women Playwrights of the Spanish Empire …, 1999 | 6 | 1999 |
| The Oedipal Drama of Tirso's La república al revés CB Weimer Bulletin of the Comediantes 47 (2), 291-309, 1995 | 6 | 1995 |
| Gendered Discourse in Paloma Pedrero's Noches de amor efímero CB Weimer Gestos 16, 89-102, 1993 | 6 | 1993 |
| Sueño. By José Rivera (Theater Review) C Weimer Comedia Performance 4, 243-247, 2007 | 5 | 2007 |
| Tom Cruise and the Seven Dwarves: Cinematic Postmodernism in "Abre los ojos" and "Vanilla Sky" B Simerka, C Weimer American Drama 14 (2), 1-15, 2005 | 5 | 2005 |
| "Ever Want to Be Someone Else?": Self-fashioning in Don Quijote and Being John Malkovich B Simerka, CB Weimer Anuario de estudios cervantinos, 45-54, 2005 | 5 | 2005 |
| Los retratos salvadores en dos comedias de Tirso de Molina (La prudencia en la mujer y La firmeza en la hermosura) CB Weimer Instituto de Estudios Tirsianos, 2003 | 5 | 2003 |
| The Politics of Adaptation: Fuenteovejuna in Pinochet’s Chile CB Weimer Echoes and Inscriptions: Comparative Approaches to Early Modern Spanish …, 2000 | 5 | 2000 |
| A Cervantine Reading of Conan Doyle: Interpolated Narrative in A Study in Scarlet CB Weimer Sherlock Holmes: Victorian Sleuth to Modern Hero, 196-210, 1996 | 5 | 1996 |
| FROM LUST TO LIBERATION: A GIRARDIAN READING OF TIRSO'S" LA MUJER QUE MANDA EN CASA" CB Weimer Hispanófila, 3-10, 1994 | 5 | 1994 |
Barbara SimerkaProfessor Spanish, Queens College CUNYDirección de correo verificada de qc.cuny.edu
