| Modular narratives in contemporary cinema A Cameron Palgrave Macmillan, 2008 | 288 | 2008 |
| Contingency, order, and the modular narrative: 21 Grams and Irreversible A Cameron The Velvet Light Trap 58 (1), 65-78, 2006 | 78 | 2006 |
| Zombie Media: Transmission, Reproduction, and the Digital Dead A Cameron Cinema Journal 52 (1), 66-89, 2012 | 69 | 2012 |
| Instrumental Visions: Electronica, Music Video, and the Environmental Interface A Cameron The Oxford Handbook of Sound and Image in Digital Media, 752-772, 2013 | 18* | 2013 |
| Modular Spacetime in the “Intelligent” Blockbuster: Inception and Source Code RM A Cameron Hollywood Puzzle Films, 109-124, 2014 | 15 | 2014 |
| Above the bottom line: Understanding Australian screen content producers A Cameron, D Verhoeven, D Court Media International Australia 136 (1), 90-102, 2010 | 13 | 2010 |
| The Locals and the global: transnational currents in contemporary New Zealand horror A Cameron Studies in Australasian Cinema 4 (1), 55-72, 2010 | 11 | 2010 |
| Trajectories of identification: travel and global culture in the films of Wong Kar-wai A Cameron Jump Cut: A Review of Contemporary Media 49, 2007 | 10 | 2007 |
| History in Real Time: National Trauma and Narrative Synchrony in United 93 and Out of the Blue A Cameron Quarterly Review of Film and Video 29 (4), 365-376, 2012 | 9 | 2012 |
| Infernal affairs and the ethics of complex narrative A Cameron, S Cubitt Puzzle Films: Complex Storytelling in Contemporary Cinema, 151-166, 2009 | 9 | 2009 |
| 5. Face, Frame, Fragment: Refiguring Space in Found-Footage Cinema A Cameron Screen Space Reconfigured, 127-152, 2020 | 6 | 2020 |
| Time-lapse and the projected body A Cameron, R Misek The Moving Image Review & Art Journal (MIRAJ) 3 (1), 38-51, 2014 | 6 | 2014 |
| Colour, embodiment and dread in High Tension and A Tale of Two Sisters A Cameron Horror Studies 3 (1), 87-103, 2012 | 6 | 2012 |
| Visceral Screens: Mediation and Matter in Horror Cinema A Cameron Edinburgh University Press, 2021 | 4 | 2021 |
| Dimensions of the digital face: Flatness, contour and the grid A Cameron Convergence 27 (4), 868-881, 2021 | 2 | 2021 |
| Science Fiction's Facial Optics A Cameron JCMS: Journal of Cinema and Media Studies 63 (2), 8-31, 2024 | | 2024 |
| Indefinite Visions M Beugnet, A Cameron, A Fetveit | | 2017 |
| Introduction: Digital Communities KM Thompson, A Cameron, M Kavka MEDIANZ: Media Studies Journal of Aotearoa New Zealand 16 (1), 2016 | | 2016 |
| Real Mysteries: Narrative and the Unknowable by H. Porter Abbott A Cameron MFS Modern Fiction Studies 62 (2), 362-364, 2016 | | 2016 |
| Crash: Cinema and the Politics of Speed and Stasis A Cameron Screen 53 (1), 72-75, 2012 | | 2012 |
Richard MisekLecturer in Digital Media, University of KentDirección de correo verificada de kent.ac.uk
