| From microsound to vaporwave: Internet-mediated musics, online methods, and genre G Born, C Haworth Music and Letters 98 (4), 601-647, 2017 | 97 | 2017 |
| Mixing it: Digital ethnography and online research methods—A tale of two global digital music genres G Born, C Haworth The Routledge companion to digital ethnography, 96-112, 2017 | 38 | 2017 |
| ‘All the Musics Which Computers Make Possible’: 1 Questions of genre at the Prix Ars Electronica C Haworth Organised Sound 21 (1), 15-29, 2016 | 23 | 2016 |
| Sound synthesis procedures as texts: An ontological politics in electroacoustic and computer music C Haworth Computer Music Journal 39 (1), 41-58, 2015 | 23 | 2015 |
| Sound synthesis with auditory distortion products GS Kendall, C Haworth, RF Cádiz Computer Music Journal 38 (4), 5-23, 2014 | 22 | 2014 |
| Ear as instrument C Haworth Leonardo Music Journal 22, 61-62, 2012 | 9 | 2012 |
| Composing with Absent Sound C Haworth ICMC, 2011 | 9* | 2011 |
| Technology, creativity, and the social in algorithmic music C Haworth | 7 | 2018 |
| Xenakian Sound Synthesis: Its Aesthetics and Influence on ‘Extreme Computer Music C Haworth Resonances: Noise and Contemporary Music, 183-97, 2013 | 6 | 2013 |
| Protentions and retentions of Xenakis and Cage: Nonhuman actors, genre and time in microsound C Haworth Contemporary Music Review 37 (5-6), 606-625, 2018 | 5 | 2018 |
| Ecosystem or Technical System? Technologically-Mediated Performance and the Music of The Hub C Haworth Proceedings of the Electroacoustic Music Studies Network Conference …, 2014 | 5 | 2014 |
| Network music and digital utopianism: The rise and fall of the Res Rocket Surfer project, 1994–2003 C Haworth Finding Democracy in Music, 144-163, 2020 | 4 | 2020 |
| EchoSnap and PlayableAle: Exploring Audible Resonant Interaction P Bennett, C Haworth, G Ouzounian, J Wheale Proceedings of the Eleventh International Conference on Tangible, Embedded …, 2017 | 3 | 2017 |
| Forthcoming.“From Microsound to Vaporwave: Internet-Mediated Musics G Born, C Haworth Online Methods, and Genre, 0 | 3 | |
| Space, sonic trajectories and the perception of cadence in electroacoustic music L Danieli, M Witek, C Haworth Journal of New Music Research 50 (3), 266-278, 2021 | 2 | 2021 |
| Speculative designs: towards a social music G Ouzounian, C Haworth, P Bennett Michigan Publishing, 2017 | 2 | 2017 |
| Sonic Commentary: All Ears BB Boyer, JEN REIMER, MAX STEIN, S HENNIES, M COLBERT, ... | 2 | 2016 |
| Proceedings of the International Computer Music Conference G Kendall, C Haworth, R Cadiz | 2 | 2012 |
| Diversity, pluralism--equity C Haworth, M Akkermann, P Lindborg Journal issue, 2021 | 1 | 2021 |
| Florian Hecker-Formulations F Hecker Walther Koenig Books, 2016 | 1 | 2016 |
