| Larbi Batma, Nass el-Ghiwane and postcolonial music in Morocco L Simour McFarland, 2016 | 19 | 2016 |
| The white lady travels: Narrating Fez and spacing colonial authority in Edith Wharton's In Morocco L Simour Hawwa 7 (1), 39-56, 2009 | 9 | 2009 |
| (De) slaving history: Mostafa al-Azemmouri, the sixteenth-century Moroccan captive in the tale of conquest L Simour European Review of History: Revue europeenne d'histoire 20 (3), 345-365, 2013 | 7 | 2013 |
| Recollecting History beyond Borders: Captives, Acrobats, Dancers and the Moroccan-American Narrative of Encounters L Simour Cambridge Scholars Publishing, 2014 | 6 | 2014 |
| American fair expositions revisited: Morocco’s acrobatic performers between the industry of entertainment and the violence of racial display L Simour Journal for cultural research 17 (3), 295-322, 2013 | 6 | 2013 |
| Moroccan subaltern voices narrated: the historical imaginary of race and the legacy of slavery in Rabbaj’s Le Lutteur [The Wrestler] and El Hachimi’s Dhākirat al-narjis [The … I Goikolea-Amiano, L Simour Social Identities 28 (1), 108-138, 2022 | 4 | 2022 |
| Blurring the boundaries of gendered encounters: Moorish dancing girls in nineteenth and early twentieth-century American fair exhibitions L Simour Hawwa 11 (2-3), 133-159, 2014 | 3 | 2014 |
| The sexually enthralling Other: Oriental weddings in performance and American erotics of the Brown Threat L Simour The journal of North African studies 17 (3), 389-408, 2012 | 3 | 2012 |
| Narrating Silence and (Re) locating Space: Cinematic Reflexions on Moumen Smihi's al-Shergui awi al-samt al-anif (al-Shergui or the Violent Silence) L Simour Film Matters 1 (3), 14-19, 2010 | 3 | 2010 |
| The other history of cultural encounters through performance revisited: shifting discourses on Moroccan acrobatic entertainers in nineteenth-century America L Simour Cultural Studies 34 (1), 70-94, 2020 | 2 | 2020 |
| (Re) Locating space in Hakim Belabbas’s khayṭ al-rūḥ and Farida Belyazid’s bāb smā maftūḥ L Simour International Journal of Francophone Studies 20 (1-2), 9-23, 2017 | 2 | 2017 |
| La Francophonie, la Culture et le Colonialisme: Approche postcolonial à la Littérature Marocaine d’Expression Française A FARTAKH, L SIMOUR No 23/mai 2017, 59, 2017 | 2 | 2017 |
| The Victors and the Vanquished: Recovering the History of Al-Andalus. L Simour Annals of Philosophy, Social & Human Disciplines 1, 2014 | 2 | 2014 |
| Postcolonial Fluid Zones of Possibilities in Mohammed Mrabet's Look and Move On: Retrieving Subalternity and Negotiating Sexuality L Simour Middle East Critique 21 (1), 117-133, 2012 | 2 | 2012 |
| Ama Ata Aidoo's Black-eyed Squint and the'Voyage in'Experience: Dis (re) orienting Blackness and Subverting the Colonial Tale L Simour International Journal of Humanities and Social Sciences 3 (7), 1451-1457, 2009 | 2 | 2009 |
| Global Identities in Transit: The Ethics and Politics of Representation in World Literatures and Cultures R Acim, S Arfaoui, L Asaad, S Banerjee, K Belhiah, YMC Chen, L Corces, ... Rowman & Littlefield, 2022 | 1 | 2022 |
| The Postcolonial Malaise in Narration: The Construction of Narrative Writing in Mohamed Zafzaf’s Arṣifah Wa Judrān (Sidewalks and Walls) L Simour Interventions 24 (1), 102-118, 2022 | 1 | 2022 |
| ‘A tongue tells a thousand truths’: narration, translation and illustration in Mohamed Mrabet's Chocolate Creams and Dollars MP Sánchez, L Simour The Journal of North African Studies 26 (3), 527-551, 2021 | 1 | 2021 |
| Gendered eyewitness in narration: Imagining Morocco in British women travel-inspired narratives in late nineteenth century L Simour Anglo Saxonica 17 (1), 1-11, 2020 | 1 | 2020 |
| Under Moroccan Gaze: Dis/(Re) orienting Orientalism American Style in Abdellatif Akbib’s Tangier’s Eyes on America L Simour Intellectual discourse 18 (1), 2010 | 1 | 2010 |
María Porras SánchezUniversidad Complutense de MadridDirección de correo verificada de ucm.es
