Prof. Nick Bryan-Kinns
Prof. Nick Bryan-Kinns
Queen Mary University of London
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Evaluation of live human–computer music-making: Quantitative and qualitative approaches
D Stowell, A Robertson, N Bryan-Kinns, MD Plumbley
International journal of human-computer studies 67 (11), 960-975, 2009
Use of multiple digital libraries: a case study
A Blandford, H Stelmaszewska, N Bryan-Kinns
Proceedings of the 1st ACM/IEEE-CS joint conference on Digital libraries …, 2001
Designing for performative tangible interaction
JG Sheridan, N Bryan-Kinns
International Journal of Arts and Technology 1 (3-4), 288-308, 2008
Daisyphone: the design and impact of a novel environment for remote group music improvisation
N Bryan-Kinns
Proceedings of the 5th conference on Designing interactive systems …, 2004
Encouraging witting participation and performance in digital live art
JG Sheridan, N Bryan-Kinns, A Bayliss
Proceedings of HCI 2007 The 21st British HCI Group Annual Conference …, 2007
Identifying mutual engagement
N Bryan-Kinns, F Hamilton
Behaviour & Information Technology 31 (2), 101-125, 2012
Telematic dinner party: designing for togetherness through play and performance
P Barden, R Comber, D Green, D Jackson, C Ladha, T Bartindale, ...
Proceedings of the Designing Interactive Systems Conference, 38-47, 2012
Exploring mutual engagement in creative collaborations
N Bryan-Kinns, PGT Healey, J Leach
Proceedings of the 6th ACM SIGCHI conference on Creativity & cognition, 223-232, 2007
Discourse Analysis Evaluation Method for Expressive Musical Interfaces.
D Stowell, MD Plumbley, N Bryan-Kinns
NIME, 81-86, 2008
The medium is the message: Composing instruments and performing mappings
T Murray-Browne, D Mainstone, N Bryan-Kinns, MD Plumbley
Proceedings of the international conference on new interfaces for musical …, 2011
Inter-play: Understanding group music improvisation as a form of everyday interaction
PGT Healey, J Leach, N Bryan-Kinns
Proceedings of Less is More—Simple Computing in an Age of Complexity, 2005
Open symphony: Creative participation for audiences of live music performances
Y Wu, L Zhang, N Bryan-Kinns, M Barthet
IEEE MultiMedia 24 (1), 48-62, 2017
Designing collaborative musical experiences for broad audiences
B Bengler, N Bryan-Kinns
Proceedings of the 9th ACM Conference on Creativity & Cognition, 234-242, 2013
Constructing relational diagrams in audio: the multiple perspective hierarchical approach
O Metatla, N Bryan-Kinns, T Stockman
Proceedings of the 10th international ACM SIGACCESS conference on Computers …, 2008
Drawing electroacoustic music
JB Thiebaut, PGT Healey, N Bryan-Kinns
ICMC, 2008
Supporting the shared care of diabetic patients
T Kindberg, N Bryan-Kinns, R Makwana
Proceedings of the international ACM SIGGROUP conference on Supporting group …, 1999
One for all and all for one? Case studies of using prototypes in commercial projects
N Bryan-Kinns, F Hamilton
Proceedings of the second Nordic conference on Human-computer interaction …, 2002
Designing with and for people living with visual impairments: audio-tactile mock-ups, audio diaries and participatory prototyping
O Metatla, N Bryan-Kinns, T Stockman, F Martin
CoDesign 11 (1), 35-48, 2015
Mutual engagement and collocation with shared representations
N Bryan-Kinns
International Journal of Human-Computer Studies 71 (1), 76-90, 2013
Daisyphone: support for remote music collaboration
N Bryan-Kinns, PGT Healey
Proceedings of the 2004 conference on New interfaces for musical expression …, 2004
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