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Orianna Calderón-Sandoval
Orianna Calderón-Sandoval
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Hacer visible lo invisible: teoría feminista del cine y Documentales mexicanos realizados por mujeres en el siglo XXI
OAC Sandoval
I Congreso Internacional de Comunicación y Género. Libro de Actas: 5, 6 y 7 …, 2012
82012
Opposition to gender quotas in Sweden and Spain: Debates about gender equality in the film industry
M Jansson, O Calderón-Sandoval
Women's Studies International Forum 93, 102599, 2022
72022
Visualising in/equalities through contemporary documentary cinema. A diffractive reading of feminist practices in spanish and italian non-fiction films
O Calderón-Sandoval
Universidad de Granada y Universidad de Bolonia, 2019
7*2019
Implementing gender equality policies in the Spanish film industry: persistent prejudices and a feminist will to ‘exploit the centre into concentric circles’
O Calderón-Sandoval
International Journal of Cultural Policy 28 (4), 446-460, 2022
62022
Feminist Documentary Cinema as a Diffraction Apparatus: A Diffractive Reading of the Spanish Films, Cuidado, resbala and Yes, We Fuck!
O Calderon-Sandoval, A Sanchez-Espinosa
Social Sciences 8 (7), 206, 2019
62019
Feminist counter-cinema and decolonial countervisuality: subversions of audiovisual archives in Un’ora sola ti vorrei (2002) and Pays Barbare (2013)
O Calderón-Sandoval, A Sánchez-Espinosa
Studies in Documentary Film 15 (3), 187-202, 2021
42021
Feminist documentary cinema as a diffraction apparatus for the visualisation of care labour: the Spanish collective film Cuidado, resbala (2013)
O Calderón
Feminist Media Studies 17, 308-312, 2017
42017
Queer Gender Performativity in Documentary Cinema: The Transgender Look of Italian Filmmaker Simone Cangelosi
A Sánchez Espinosa, O Calderón Sandoval
Comunicación y Género 3 (1), 27-35, 2020
32020
L'Amant de Marguerite Duras: La escritura como (de) construcción de una subjetividad femenina deseante.
O Calderón
Nomadías, 2017
32017
FEMINIDAD Y MASCULINIDAD EN EL CINE DE CARLOS REYGADAS.
OAC SANDOVAL
3*2012
Debating Sexual Consent in the Teen Series The Hockey Girls: Reactions of Instagram Audiences
O Calderón-Sandoval, I Villegas-Simón, P Medina-Bravo
Sex Education 24 (4), 531-545, 2024
12024
Subverting technologies of gender in male-dominated gender regimes: (self) representations of Spanish and Swedish women filmmakers
O Calderón, M Jansson
Feminist Media Studies, 2022
1*2022
Gender-Based Violence and the Performance of Masculinity: A Comparative Analysis of the Documentary Films Ma l’amore c’entra? and Serás hombre
O Calderón Sandoval, A Sánchez Espinosa
Performing Cultures of Equality, 2022
12022
A Diffractive Analysis of Documentary Film No existimos: Making Visible the Invisible with an Eccentric Technology of Gender
CS Orianna, A Sánchez Espinosa
Sociología y tecnociencia 11 (1), 1-19, 2021
1*2021
PRÁCTICAS FEMINISTAS EN DOS DOCUMENTALES SOBRE EL DERECHO A DECIDIR LA PROPIA MATERNIDAD: YO DECIDO. EL TREN DE LA LIBERTAD Y LUNÀDIGAS. OVVERO DELLE DONNE SENZA FIGLI
O Calderon-Sandoval
Mujer y transmedialidad. Creadoras de imágenes., 157-171, 2020
12020
Intervenciones feministas en el cine documental: conocimientos situados y (auto) representaciones de género en películas de Alina Marazzi y Maricarmen de Lara
O Calderón Sandoval
12013
Queerfeminist Strategies for the Reconstruction of Spanish Memories of the Civil War and Franco’s Dictatorship in El cuarto de atrás (1978) and Cartas a María (2015)
O Calderon-Sandoval, A Sánchez-Espinosa
Bulletin of Spanish Studies, 1-25, 2024
2024
Entanglements of feminist activism and gender equality policy in the Spanish and Swedish film industries: between convergence and critique
M Jansson, O Calderón-Sandoval
Journal of Gender Studies, 1-14, 2024
2024
Reframing Identity and Building a Nomadic Home through Mestiza Consciousness in Brincando el charco. Portrait of a Puerto Rican
O Calderon-Sandoval
2023
Feminist Friendships, Solidarities and a Dream Come True: Shared Conversations about GEMMA
A Sánchez Espinosa, CS Orianna
Feminist Research Alliances: Affective convergences, 25-41, 2022
2022
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