Fabio Morreale
Fabio Morreale
Dirección de correo verificada de auckland.ac.nz - Página principal
Título
Citado por
Citado por
Año
Musical Interface Design: An Experience-oriented Framework
F Morreale, A De Angeli, S O’Modhrain
New Interfaces for Musical Expression, 2014
342014
Design for Longevity: Ongoing Use of Instruments from NIME 2010-14
F Morreale, A McPherson
New Interfaces for Musical Expression, 2017
322017
Building a maker community around an open hardware platform
F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson
Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017
272017
Collaborative creativity: The music room
F Morreale, A De Angeli, R Masu, P Rota, N Conci
Personal and Ubiquitous Computing 18 (5), 1187-1199, 2014
262014
Robin: an algorithmic composer for interactive scenarios
F Morreale, R Masu, A De Angeli
Proceedings of SMC 2013, 10th, 2013
222013
NIME Identity from the Performer’s Perspective
F Morreale, AP McPherson, MM Wanderley
New Interfaces for Musical Expression, 2018
162018
A quality adaptive multimodal affect recognition system for user-centric multimedia indexing
R Gupta, M Khomami Abadi, JA Cárdenes Cabré, F Morreale, TH Falk, ...
Proceedings of the 2016 ACM on international conference on multimedia …, 2016
152016
Evaluating visitor experiences with interactive art
F Morreale, A De Angeli
Proceedings of the 11th Biannual Conference on Italian SIGCHI Chapter, 50-57, 2015
142015
The effect of expertise in evaluating emotions in music
F Morreale, R Masu, A De Angeli, P Fava
The 3rd International Conference on Music & Emotion, Jyväskylä, Finland …, 2013
142013
Auditory recognition of floor surfaces by temporal and spectral cues of walking
F Fontana, F Morreale, T Regia-Corte, A Lécuyer, M Marchal
International Community for Auditory Display, 2011
142011
Musical instruments for novices: comparing NIME, HCI and Crowdfunding approaches
A McPherson, F Morreale, J Harrison
New Directions in Music and Human-Computer Interaction, 179-212, 2019
122019
Democratising DMIs: the relationship of expertise and control intimacy
RH Jack, J Harrison, F Morreale, A McPherson
New Interfaces for Musical Expression, 2018
122018
In-the-moment and beyond: Combining post-hoc and real-time data for the study of audience perception of electronic music performance
SMA Bin, F Morreale, N Bryan-Kinns, AP McPherson
IFIP Conference on Human-Computer Interaction, 263-281, 2017
102017
Collaborating with an autonomous agent to generate affective music
F Morreale, A De Angeli
Computers in Entertainment (CIE) 14 (3), 1-21, 2016
92016
Sound forest/ljudskogen: A large-scale string-based interactive musical instrument
R Bresin, L Elblaus, E Frid, F Favero, L Annersten, D Berner, F Morreale
Sound and Music Computing 2016, 79-84, 2016
72016
When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise.
J Harrison, RH Jack, F Morreale, AP McPherson
NIME, 299-304, 2018
62018
Robinflock: a Polyphonic Algorithmic Composer for Interactive Scenarios with Children
R Masu, A Conci, C Core, A De Angeli, F Morreale
14th Sound and Music Computing SMC, 125-132, 2017
62017
The music room
F Morreale, R Masu, A De Angeli, P Rota
CHI'13 Extended Abstracts on Human Factors in Computing Systems, 3099-3102, 2013
62013
" The finer the musician, the smaller the details": NIMEcraft under the microscope
J Armitage, F Morreale, A McPherson
New Instruments for Musical Expression, 2017
52017
Designing a Musical Playground in the Kindergarten
C Core, A Conci, R De Angeli, A, Masu, F Morreale
BritishHCI, 2017
52017
El sistema no puede realizar la operación en estos momentos. Inténtalo de nuevo más tarde.
Artículos 1–20