| Global online platforms, COVID-19, and culture: The global pandemic, an accelerator towards which direction? A Vlassis Media, Culture & Society 43 (5), 957-969, 2021 | 98 | 2021 |
| Soft power, global governance of cultural industries and rising powers: the case of China A Vlassis International Journal of Cultural Policy 22 (4), 481-496, 2016 | 88 | 2016 |
| Gouvernance mondiale et culture. De l'exception à la diversité A Vlassis Lectures, Publications reçues, 2015 | 54 | 2015 |
| Culture in the post-2015 development agenda: the anatomy of an international mobilisation A Vlassis Third World Quarterly 36 (9), 1649-1662, 2015 | 44 | 2015 |
| La politique européenne de la culture O Calligaro, A Vlassis Politique européenne 56 (2), 8-28, 2017 | 39* | 2017 |
| La mise en œuvre de la Convention sur la diversité des expressions culturelles: portée et enjeux de l’interface entre le commerce et la culture A Vlassis Études internationales 42 (4), 493-510, 2011 | 38 | 2011 |
| Effects of the CDCE on trade negotiations A Vlassis, LR Hanania Cultural Diversity in International Law, 25-39, 2014 | 36 | 2014 |
| European Commission, trade agreements and diversity of cultural expressions: Between autonomy and influence A Vlassis European Journal of Communication 31 (4), 446-461, 2016 | 33 | 2016 |
| The review of the Audiovisual Media Services Directive: Many political voices for one digital Europe? 1 A Vlassis Politique européenne, 102-123, 2017 | 30 | 2017 |
| The creative economy as a versatile policy script: exploring the role of competing intergovernmental organizations A Vlassis, C De Beukelaer Media, Culture & Society 41 (4), 502-519, 2019 | 29 | 2019 |
| European Union and online platforms in global audiovisual politics and economy: Once Upon a Time in America? A Vlassis International Communication Gazette 83 (6), 593-615, 2021 | 24 | 2021 |
| For a Diversified Networked Culture: Bringing the Convention on the Protection and Promotion of the Diversity of Cultural Expressions in the Digital Age M Rioux, G Gagné, C Deblock, D Tchéhouali, K Fontaine-Skronski, ... Centre d'études sur l'intégration et la mondialisation, Montréal, Canada, 2015 | 22* | 2015 |
| UNESCO, cultural industries and the international development agenda: between modest recognition and reluctance A Vlassis Contemporary perspectives on art and international development, 68-83, 2016 | 18 | 2016 |
| La culture à l’ère du numérique: plateformes, normes et politiques A Vlassis, M Rioux, D Tchéhouali Maison des Sciences de l'homme, 2020 | 17* | 2020 |
| Online Platforms and Culture: The Winning Actors of the Great Lockdown? A Vlassis Global Watch on Culture and Digital Trade 4, 2020 | 16* | 2020 |
| L’UNESCO face à l’enjeu «commerce-culture» Quelle action politique pour une organisation internationale? A Vlassis Politique et sociétés 32 (3), 81-101, 2013 | 16 | 2013 |
| Organizaciones regionales y diversidad cultural: la diplomacia de la Unión Europea con el Mercosur entre la sombra de Hollywood y la acción intergubernamental A Vlassis Cuadernos de Información y Comunicación 21, 2016 | 13 | 2016 |
| Cultural development and technical and financial assistance on the basis of the CDCE A Vlassis Cultural Diversity in International Law, 167-180, 2014 | 13 | 2014 |
| Accord Canada-UE: l'exemption culturelle specifique et ses implications A Vlassis, G Gagné Centre d'études sur l'intégration et la mondialisation (CEIM), 2013 | 12* | 2013 |
| The EU in Search of Autonomy in the Era of Chinese Expansionism and COVID‐19 Pandemic S Santander, A Vlassis Global Policy 12 (1), 149-156, 2021 | 10 | 2021 |
Michele RiouxUniversite du Quebec a MontrealVerified email at uqam.ca
