| Classical form: A theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven WE Caplin Oxford University Press, 1998 | 1727 | 1998 |
| The classical cadence: Conceptions and misconceptions WE Caplin Journal of American Musicological Society 57 (1), 51-118, 2004 | 278 | 2004 |
| Analyzing classical form: An approach for the classroom WE Caplin Oxford University Press, USA, 2013 | 238 | 2013 |
| Musical Form, Forms & Formenlehre: Three Methodological Reflections P Bergé Musical Form, Forms & Formenlehre, 1-360, 2010 | 158 | 2010 |
| What are formal functions? WE Caplin Musical Form, Forms, and Formenlehre: Three Methodological Reflections, 21-40, 2009 | 148 | 2009 |
| ON THE RELATION OF MUSICAL TOPOI TO FORMAL FUNCTION WE Caplin Eighteenth-Century Music 2 (1), 113-124, 2005 | 123 | 2005 |
| Theories of musical rhythm in the eighteenth and nineteenth centuries WE Caplin The Cambridge history of Western music theory 1, 657-694, 2002 | 96 | 2002 |
| The “expanded cadential progression”: A category for the analysis of classical form WE Caplin Journal of Musicological Research 7 (2-3), 215-257, 1987 | 81 | 1987 |
| Perceiving the classical cadence D Sears, WE Caplin, S McAdams Music Perception: An Interdisciplinary Journal 31 (5), 397-417, 2012 | 64 | 2012 |
| TOPICS AND FORMAL FUNCTIONS The Case ofthe Lament WE Caplin The Oxford handbook of topic theory, 415, 2014 | 58 | 2014 |
| Tonal function and metrical accent: A historical perspective W Caplin Music Theory Spectrum 5, 1-14, 1983 | 52 | 1983 |
| Beyond the Classical Cadence: Thematic Closure in Early Romantic Music WE Caplin Music Theory Spectrum 40 (1), 1-26, 2018 | 49 | 2018 |
| Simulating melodic and harmonic expectations for tonal cadences using probabilistic models DRW Sears, MT Pearce, WE Caplin, S McAdams Journal of New Music Research 47 (1), 29-52, 2018 | 49 | 2018 |
| The ‘Continuous Exposition’and the Concept of Subordinate Theme WE Caplin, NJ Martin Music Analysis 35 (1), 4-43, 2016 | 40 | 2016 |
| Beethoven’s Tempest Exposition: A Springboard for Form-Functional Considerations WE Caplin na, 2009 | 35 | 2009 |
| Perception of intrinsic formal functionality: An empirical investigation of Mozart’s materials M Vallières, D Tan, WE Caplin | 33 | 2009 |
| Harmony and meter in the theories of Simon Sechter WE Caplin Music Theory Spectrum 2, 74-89, 1980 | 32 | 1980 |
| The classical sonata exposition: Cadential goals and form-functional plans WE Caplin Tijdschrift voor Muziektheorie 6 (3), 195-209, 2001 | 24 | 2001 |
| Expectations for tonal cadences: Sensory and cognitive priming effects DRW Sears, MT Pearce, J Spitzer, WE Caplin, S McAdams Quarterly Journal of Experimental Psychology 72 (6), 1422-1438, 2019 | 23 | 2019 |
| Theories of harmonic-metric relationships from Rameau to Riemann WE Caplin The University of Chicago, 1981 | 23 | 1981 |
Stephen McAdamsMcGill UniversityDirección de correo verificada de mcgill.ca
