Matthew H. Woolhouse

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Ian CrossUniversity of CambridgeVerified email at cam.ac.uk
Jotthi BansalUniversity of TorontoVerified email at mail.utoronto.ca
Laurel TrainorMcMaster UniversityVerified email at mcmaster.ca
Joanna SpyraMcMaster UniversityVerified email at mcmaster.ca
Steven R. LivingstoneOntario Tech UniversityVerified email at ontariotechu.ca
Dana SwarbrickUniversity of OsloVerified email at imv.uio.no
Susan Marsh-RolloMcMaster University; University of California Santa CruzVerified email at mcmaster.ca
Dan BosnyakMcMaster UniversityVerified email at mcmaster.ca
Maya B. FlanneryMcMaster UniversityVerified email at mcmaster.ca
James RenwickMcGill UniversityVerified email at mcgill.ca
David EarnProfessor of Mathematics, McMaster UniversityVerified email at math.mcmaster.ca
Ben BolkerProfessor of Biology and Math & Statistics, McMaster UniversityVerified email at mcmaster.ca
Lauren V. HadleyUniversity of NottinghamVerified email at nottingham.ac.uk
Raganya PonmanadiyilYorkville University, OISE, McMaster UniversityVerified email at yorkvilleu.ca
Patricia HewstonMcMaster UniversityVerified email at mcmaster.ca
Alexandra PapaioannouProfessor of Medicine McMaster University, Division of Geriatric MedicineVerified email at hhsc.ca
Christopher PattersonProfessor of Medicine McMaster UniversityVerified email at hhsc.ca
Amanda GrenierUniversity of Toronto -Factor Inwentash Faculty of Social Work and Baycrest HospitalVerified email at utoronto.ca
Dafna MeromProfessor of Public Health, Western Sydney University (WSU)Verified email at uws.edu.au
Martin RohrmeierAssociate Professor of Digital Musicology, École Polytechnique Fédérale de LausanneVerified email at epfl.ch

Matthew H. Woolhouse

Associate Professor of Music, McMaster University

Verified email at mcmaster.ca

Music Cognition Music Perception Music Theory Digital Music


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How live music moves us: Head movement differences in audiences to live versus recorded music D Swarbrick, D Bosnyak, SR Livingstone, J Bansal, S Marsh-Rollo, ... Frontiers in Psychology 9, 2682, 2019	105	2019
Effects on inter-personal memory of dancing in time with others MH Woolhouse, D Tidhar, I Cross Frontiers in Psychology 7, 167, 2016	69	2016
Traces across the body: influence of music-dance synchrony on the observation of dance MH Woolhouse, R Lai Frontiers in Human Neuroscience 8, 965, 2014	34	2014
Perception of nonadjacent tonic-key relationships MH Woolhouse, I Cross, T Horton Psychology of Music 44 (4), 802-815, 2016	32	2016
Modelling tonal attraction between adjacent musical elements MH Woolhouse Journal of New Music Research 38 (4), 357-379, 2009	32	2009
Group dancing leads to increased person-perception MH Woolhouse, D Tidhar Proceedings of the 11th International Conference on Music Perception and …, 2010	24	2010
Using interval cycles to model Krumhansl's tonal hierarchies MH Woolhouse, I Cross Music Theory Spectrum 32 (1), 60-78, 2010	23	2010
Acoustic features influence musical choices across multiple genres MD Barone, J Bansal, MH Woolhouse Frontiers in Psychology 8, 931, 2017	17	2017
Modelling song popularity as a contagious process DP Rosati, MH Woolhouse, BM Bolker, DJD Earn Proceedings of the Royal Society A 477 (2253), 20210457, 2021	16	2021
Influence of personality on music-genre exclusivity J Bansal, MB Flannery, MH Woolhouse Psychology of Music 49 (5), 1356-1371, 2021	14	2021
The perception of nonadjacent harmonic relations MH Woolhouse, I Cross, T Horton International Conference on Music Perception and Cognition 9, 2006	11	2006
Musical preference: Role of personality and music-related acoustic features MB Flannery, MH Woolhouse Music & Science 4, 20592043211014014, 2021	10	2021
Events versus time in the perception of nonadjacent key relationships J Spyra, M Stodolak, MH Woolhouse Musicae Scientiae, 1029864919867463, 2019	9	2019
Predictive power of personality on music-genre exclusivity J Bansal, MH Woolhouse Proceedings of the International Society for Music Information Retrieval …, 2015	9	2015
Work, rest and (press) play: Music consumption as an indicator of human economic development MH Woolhouse, J Bansal Journal of Interdisciplinary Music Studies 7, 45-71, 2013	8	2013
Modes on the move: Interval cycles and the emergence of major-minor tonality MH Woolhouse Empirical Musicology Review 5 (3), 62-83, 2010	8	2010
An interval cycle-based model of pitch attraction MH Woolhouse, I Cross Proceedings of the 9th International Conference on Music Perception …, 2006	8	2006
Effects of observed music-gesture synchronicity on gaze and memory L Hadley, D Tidhar, MH Woolhouse Proceedings of the 12th International Conference on Music perception and …, 2012	7	2012
Eye movements, attention, and expert knowledge in the observation of Bharatanatyam dance R Ponmanadiyil, MH Woolhouse Journal of Eye Movement Research 11 (2), 2018	6	2018
Every track you take: Analysing the dynamics of song and genre reception through music downloading MH Woolhouse, J Renwick, D Tidhar Digital Studies/Le champ numérique 5 (1), 1-11, 2014	6	2014

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