| Narrativa audiovisual: estrategias y recursos F Canet, JP Ribes Síntesis, 2009 | 161 | 2009 |
| Investigar desde internet: Las redes sociales como abertura al cambio S MARTORELL FERNÁNDEZ, F Canet Historia y comunicación social 18, 663-675, 2013 | 52 | 2013 |
| Nuevos escenarios, nuevas formas de expresión narrativa: La Web 2.0 y el lenguaje audiovisual N Lloret, F Canet Recuperado de http://www. hipertext. net/web/pag 285, 2008 | 52 | 2008 |
| Research on vulnerable people and digital inclusion: toward a consolidated taxonomical framework M Perez-Escolar, F Canet Universal access in the information society 22 (3), 1059-1072, 2023 | 46 | 2023 |
| Recovery of descriptive information in images from digital libraries by means of EXIF metadata N Lloret Romero, VVGC Gimenez Chornet, J Serrano Cobos, ... Library Hi Tech 26 (2), 302-315, 2008 | 43 | 2008 |
| New stages, new narrative forms: The Web 2.0 and audiovisual language N LLoret, F Canet Hypertext. net, Barcelona (Espanha) 6, 2008 | 39* | 2008 |
| Introductory reflections on perpetrators of crimes against humanity and their representation in documentary film F Canet Continuum 34 (2), 159-179, 2020 | 30 | 2020 |
| Quantitative approaches for evaluating the influence of films using the IMDb database F Canet, MÁ Valero, L Codina Communication & Society. 2016 Jun 1; 29 (2): 151-72, 2016 | 27 | 2016 |
| The filmmaker as activist F Canet Popular Communication 16 (2), 154-167, 2018 | 25 | 2018 |
| Documenting atrocities around the world: Why engage with the perpetrators? F Canet International Journal of Cultural Studies 22 (6), 804-822, 2019 | 20 | 2019 |
| Metacinema as cinematic practice: a proposal for classification F Canet L’atalante 18, 17-26, 2014 | 15 | 2014 |
| Respuestas ambivalentes ante la moralidad ambigua del antihéroe: Tony Soprano y Walter White como casos de estudio F Canet, AN García-Martínez Palabra Clave 21 (2), 364-386, 2018 | 13 | 2018 |
| El metacine como práctica cinematográfica: una propuesta de clasificación F Canet L'Atalante. Revista de estudios cinematográficos, 17-26, 2014 | 13 | 2014 |
| Facing the perpetrator’s legacy: post-perpetrator generation documentary films J Moral, G Bayer, F Canet Continuum 34 (2), 255-270, 2020 | 12 | 2020 |
| La fricción entre el azar y lo controlado en el cine de José Luis Guerin FJ Canet Centellas Archivos de la Filmoteca 72, 145-159, 2013 | 12 | 2013 |
| More therapy with Dr Melfi (the character who guides viewer engagement with Tony Soprano): Relationship arcs in serial antihero narratives F Canet Journal of Screenwriting 10 (1), 97-112, 2019 | 11 | 2019 |
| Documenting the legacies of the Chilean dictatorship: Questioning the family relationship in the documentary films El pacto de Adriana and El color del camaleón F Canet International Journal of Media & Cultural Politics 15 (2), 125-142, 2019 | 10 | 2019 |
| Changing times for scholarly communication: The case of the academic research video and the online video journal F Canet El profesional de la información 28 (4), 3, 2019 | 9* | 2019 |
| Schizophrenic Twins: A Comparative Study of Hitchcock's Psycho (1960) and Van Sant's 1998 Remake F Canet Journal of Film and Video 70 (1), 17-31, 2018 | 9 | 2018 |
| Character engagement as central to the filmmaker–subject relationship: En construcción (José Luis Guerin, 2001) as a case study F Canet, HJ Pérez Studies in Documentary Film 10 (3), 215-232, 2016 | 7 | 2016 |
