| Hybrid Heritage on Screen: The ‘Raj Revival’in the Thatcher Era E Oliete-Aldea Springer, 2015 | 16 | 2015 |
| Fear and nostalgia in times of crisis: The paradoxes of globalization in Oliver Stone’s Money Never Sleeps (2010) E Oliete-Aldea Culture Unbound 4 (2), 347-366, 2012 | 16 | 2012 |
| Global genres, local films: The transnational dimension of Spanish cinema E Oliete-Aldea Bloomsbury Publishing USA, 2017 | 15 | 2017 |
| Gurinder Chadha’s Bride and Prejudice: A Transnational Journey Through Time and Space E Oliete-Aldea International Journal of English Studies 12 (1), 167-182, 2012 | 15 | 2012 |
| Introduction: Questions of transnationalism and genre E Oliete-Aldea, B Oria, JA Tarancón Global Genres, Local Films: The Transnational Dimension of Spanish Cinema …, 2016 | 5 | 2016 |
| Transnational representation of a gendered recession in corporate dramas E Oliete-Aldea European Journal of Cultural Studies 24 (2), 514-529, 2021 | 3 | 2021 |
| Places of memory in the new millennium: British influence on Spanish transnational heritage cinema and television E Oliete-Aldea Studies in Spanish & Latin American Cinemas 12 (2), 175-195, 2015 | 2 | 2015 |
| Filmic representations of the British Raj in the 1980s: Cultural identity, otherness and hybridity E Oliete Aldea, C Cornut-Gentille D'Arcy University of Zaragoza 250, 2009 | 2 | 2009 |
| Gurinder Chadha’s Viceroy House (2017) and Other Evictions: Transnational Connections of Past and Present Crises in Cinema E Oliete-Aldea Servicio de Publicaciones. Universidad de La Laguna, 2021 | 1 | 2021 |
| „Indian Muslims in British Cinema: Identification and Denial “ E Oliete-Aldea Revolving Around India (s): Alternative Images, Emerging Perspectives, 256, 2020 | 1 | 2020 |
| Global financial crisis in local filmic scenarios: Transnational cinema of the Great Recession 1 E Oliete-Aldea Global Finance on Screen, 179-197, 2017 | 1 | 2017 |
| The Great Recession and Transnational Horror: Sajit Warrier's Crossover Film Fired (2010) E Oliete‐Aldea The Journal of Popular Culture 49 (5), 1163-1183, 2016 | 1 | 2016 |
| Global Genres, Local Films E Oliete-Aldea, JA Tarancón, B Oria Global Genres, Local Films, 1-256, 2015 | 1 | 2015 |
| The Porosity of Identity Boundaries E Oliete-Aldea, E Oliete-Aldea Hybrid Heritage on Screen: The ‘Raj Revival’in the Thatcher Era, 7-30, 2015 | 1 | 2015 |
| LOVING IN TROUBLED AND GLOBAL TIMES: COMING TO TERMS WITH A TRAUMATIC LOCAL PAST THROUGH" GLOBAL FORMATS" IN CONTEMPORARY SPANISH TRANSNATIONAL TV SERIES. E Oliete-Aldea Studies in the Humanities, 2012 | 1 | 2012 |
| Filmic representations of the British Raj in the 1980s: cultural identity, otherness and hybridity DFI y Alemana | 1 | 2009 |
| Representing hybridity as the bridge between cultures in Ivory's 1982 film" Heat and Dust" EO Aldea ES: Revista de filología inglesa, 135-150, 2006 | 1 | 2006 |
| Screening Recessions through a Gendered Lens Nostalgic and Critical Revisions of the Past from the Post-2008 Crisis Perspective E Oliete-Aldea Screening the Crisis: US Cinema and Social Change in the Wake of the 2008 …, 2022 | | 2022 |
| Global financial crisis in local filmic scenarios E Oliete-Aldea Global Finance on Screen: From Wall Street to Side Street, 82, 2017 | | 2017 |
| Ética y finanzas en la universidad: debate interdisciplinar sobre la Gran Recesión en lengua inglesa a través de las TICs.[Ethics and Finance in Higher Education: an … E Oliete Aldea, B Oria Gómez | | 2017 |
