| The Splintered Glass: Facets of Trauma in the Post-Colony and Beyond D Herrero, S Baelo-Allué BRILL, 2011 | 63 | 2011 |
| The Australian Apology and Post-Colonial Defamiliarization: Gail Jones’s Sorry D Herrero Journal of Postcolonial Writing 47 (3), 283-295, 2011 | 30 | 2011 |
| Between the Urge to Know and the Need to Deny: Trauma and Ethics in Contemporary British and American Literature D Herrero, S Baelo-Allué Winter, 2011 | 19 | 2011 |
| Post-Apocalypse Literature in the Age of Unrelenting Borders and Refugee Crises: Merlinda Bobis and Australian Fiction D Herrero Interventions 19 (7), 948-961, 2017 | 18 | 2017 |
| Crossing The Secret River: From Victim to Perpetrator or the Silent/Dark Side of the Australian Settlement D Herrero Atlantis (Revista de la Asociación Española de Estudios Anglo …, 2014 | 13* | 2014 |
| Postmodernism and politics in Meena Kandasamy’s The Gypsy Goddess D Herrero The Journal of Commonwealth Literature 54 (1), 70-83, 2019 | 12 | 2019 |
| Plight vs. Right: Trauma and the Process of Recovering and Moving beyond the Past in Zoë Wicomb’s Playing in the Light (2006) D Herrero Trauma in Contemporary Literature: Narrative and Representation, 100-115, 2014 | 11* | 2014 |
| Historiek van het Technisch en Beroepsonderwijs (1830-1990) D Herrero, S Baelo-Allue Garant, 2002 | 11 | 2002 |
| Tabish Khair’s Just Another Jihadi Jane: Western Civilization and ‘War on Terror’ Versus Islamist Terrorism as the Two Sides of the Globalization Coin D Herrero Societies 8 (4), 97, 2018 | 10 | 2018 |
| “I know now that this is the way ... the final metamorphosis. I must drive out my old self and let the universe in”: The Ethics of Place in David Malouf’s An Imaginary Life D Herrero On the Turn: The Ethics of Fiction in Contemporary Narrative in English, 170-190, 2007 | 8 | 2007 |
| Meena Alexander’s Transgressive/ Diasporic Female Characters: Healing Wounds and Fracturing the Iconic Feminine and the Language of the Colonizer D Herrero South Asian Review 28 (2), 27-46, 2007 | 8 | 2007 |
| “Ay, siyempre, Gran, of course, Oz is –multicultural!”: Merlinda Bobis’s Crossing to the Other Side as Reflected in Her Short Stories D Herrero Ariel: A Review of International English Literature 36 (1-2), 111-134, 2005 | 7 | 2005 |
| Merlinda Bobis’s Fish-Hair Woman: Showcasing Asian Australianness, putting the question of justice in its place D Herrero Mediating Literary Borders: Asian Australian Writing, 84-95, 2019 | 6 | 2019 |
| Due Preparations for the Plague: Globalization, Terror and the Ethics of Alterity D Herrero Kunapipi (Official Journal of EACLALS) 28 (1), 25-43, 2006 | 6 | 2006 |
| Populism and Precarity in Contemporary Indian Dystopian Fiction D Herrero Atlantis 42 (2), 214-232, 2020 | 5 | 2020 |
| The Phantom and Transgenerational Trauma in Elizabeth Jolley’s The Well D Herrero Engaging with Literature of Commitment 2, 201-216, 2012 | 5 | 2012 |
| Oranges and Sunshine: The Story of a Traumatic Encounter D Herrero Humanities 4 (4), 714-725, 2015 | 4 | 2015 |
| Merlinda Bobis’s The Solemn Lantern Maker: The Ethics of Traumatic Cross-Cultural Encounters D Herrero Coolabah 10, 107-117, 2013 | 4 | 2013 |
| Sensing and sensibility: The late ripple of colonisation? M Bobis, D Herrero Kunapipi 32 (1), 19, 2010 | 4 | 2010 |
| Merlinda Bobis’s Poem-plays: Reading Ethics and Identity across Cultures D Herrero PORTAL Journal of Multidisciplinary International Studies 4 (1), 2007 | 4 | 2007 |
