| This hardware is now obsolete. Marc-André Dalbavie’s Diadèmes M Akkermann International Computer Music Conference Proceedings, 2017 | 6* | 2017 |
| Analyser la musique mixte P Couprie, A Bonardi, V Tiffon, B Bossis Delatour, 2017 | 5 | 2017 |
| Sound sleep: Lullabies as a test case for the neurobiological effects of music M Akkermann, UC Akkaya, C Demirel, D Pflüger, M Dresler Behavioral and Brain Sciences 44, 2021 | 3 | 2021 |
| Computer Network Music–Approximation to a Far-Scattered History M Akkermann Proceedings of the EMS 2014, 2014 | 3 | 2014 |
| What is saved? Considerations on documenting, archiving and (re-) performing computer music M Akkermann Proceedings of the International Computer Music Conference ICMC, 10.5281 …, 2019 | 2 | 2019 |
| Performing Computer Network Music M Akkermann Computer Music Conference ICMC, 2016 | 2 | 2016 |
| Contacts Turbulents by David Wessel. An analytic approach from a musicological point of view M Akkermann International Computer Music Conference ICMC, 232-235, 2013 | 2 | 2013 |
| Diversity, pluralism--equity? C Haworth, M Akkermann, PM Lindborg Journal issue, 2021 | 1 | 2021 |
| Array2020_Magazine M Akkermann, G Boutard, S Lemouton, TH Park, S Cluett, K Dahan Array 2020 (Archiving), 2020 | 1* | 2020 |
| Is this how it sounded? The idea of ‘historic informed performance practice’in early mixed music M Akkermann ICMC, 2018 | 1 | 2018 |
| Music is in the air. Sounding performances in hybrid and virtual space M Akkermann array., 46-51, 2022 | | 2022 |
| Editorial C Haworth, M Akkermann, PM Lindborg array., 4-6, 2021 | | 2021 |
| Systematising (at) the Present for the Future: Reflections on Archiving Electroacoustic Music M Akkermann Archival Notes, 2021 | | 2021 |
| Sound sleep: Lullabies as a test case for the neurobiological effects of music—CORRIGENDUM M Akkermann, UC Akkaya, C Demirel, D Pflüger, M Dresler Behavioral and Brain Sciences 44, e139, 2021 | | 2021 |
| Performing Music. Sources-Questions-Research Perspectives M Akkermann MUSIKFORSCHUNG 74 (2), 165-167, 2021 | | 2021 |
| Neue Technologien, neue Versionen–neue Urheber? Fragen und Perspektiven zur Archivierung digitaler Inhalte am Beispiel der Elektroakustischen Musik M Akkermann Tipping Points, 241-252, 2020 | | 2020 |
| Sound and Video Anthology: Content M Supper, E Grosskopf, K Reese, M Akkermann, M Kjeldgaard Computer Music Journal 44 (4), 1-1, 2020 | | 2020 |
| Sound and Video Anthology: Program Notes M Supper, E Grosskopf, K Reese, M Akkermann, M Kjeldgaard Computer Music Journal 44 (4), 96-101, 2020 | | 2020 |
| Intersektionalität, Musik und Sound im Film am Beispiel von Watermelon Woman SM Dang, M Akkermann Jahrbuch Musik und Gender 12, 119-138, 2020 | | 2020 |
| (Musik) instrument (im) Computer M Akkermann Brückenschläge zwischen Informatik und Musikwissenschaft. Theoretische und …, 2020 | | 2020 |
Pierre CouprieParis-Saclay UniversityVerified email at univ-evry.fr
Pierre CouprieParis-Saclay UniversityVerified email at univ-evry.fr