Jordan DeLong
Jordan DeLong
Director of Data Science and Product Innovation, Research Narrative
Verified email at researchnarrative.com - Homepage
Title
Cited by
Cited by
Year
Attention and the evolution of Hollywood film
JE Cutting, JE DeLong, CE Nothelfer
Psychological science 21 (3), 432-439, 2010
2022010
Quicker, faster, darker: Changes in Hollywood film over 75 years
JE Cutting, KL Brunick, JE DeLong, C Iricinschi, A Candan
i-Perception 2 (6), 569-576, 2011
1792011
Visual activity in Hollywood film: 1935 to 2005 and beyond.
JE Cutting, JE DeLong, KL Brunick
Psychology of Aesthetics, Creativity, and the Arts 5 (2), 115, 2011
742011
The changing poetics of the dissolve in Hollywood film
JE Cutting, KL Brunick, JE DeLong
Empirical Studies of the Arts 29 (2), 149-169, 2011
362011
Low-level features of film: What they are and why we would be lost without them.
KL Brunick, JE Cutting, JE DeLong
Oxford University Press, 2013
342013
Film through the Human Visual System: Finding Patterns and Limits
JE DeLong, KL Brunick, JE Cutting
Social Science of the Cinema, 2012
32*2012
How act structure sculpts shot lengths and shot transitions in Hollywood film
JE Cutting, KL Brunick, JE DeLong
Projections 5 (1), 1-16, 2011
312011
Adaptation modulates the electrophysiological substrates of perceived facial distortion: Support for opponent coding
A Burkhardt, LM Blaha, BS Jurs, G Rhodes, L Jeffery, D Wyatte, J DeLong, ...
Neuropsychologia 48 (13), 3743-3756, 2010
292010
Added noise affects the neural correlates of upright and inverted faces differently
BL Schneider, JE DeLong, TA Busey
Journal of Vision 7 (4), 4-4, 2007
212007
Shot structure in Hollywood film
CE Nothelfer, JE DeLong, JE Cutting
Indiana Undergraduate Journal of Cognitive Science 4, 103-113, 2009
162009
On shot lengths and film acts: A revised view
JE Cutting, KL Brunick, J DeLong
Projections 6 (1), 142-145, 2012
142012
Reverse correlating love: Highly passionate women idealize their partner’s facial appearance
G Gunaydin, JE DeLong
PloS one 10 (3), e0121094, 2015
132015
Horseshoes, handgrenades, and model fitting: the lognormal distribution is a pretty good model for shot-length distribution of Hollywood films
J DeLong
Digital Scholarship in the Humanities 30 (1), 129-136, 2015
82015
The sparsity of simple recurrent networks in musical structure learning
KR Agres, JE DeLong, M Spivey
Proceedings of the Annual Meeting of the Cognitive Science Society 31 (31), 2009
72009
Temporal fractals in movies and mind
JE Cutting, JE DeLong, KL Brunick
Cognitive research: principles and implications 3 (1), 8, 2018
52018
RSVP at the movies: dynamic images are remembered better than static images when resources are limited
A Candan, JE Cutting, JE DeLong
Visual Cognition 23 (9-10), 1205-1216, 2015
52015
Neuropsychology Behind the Plate
JE DeLong
Sport, Ethics and Philosophy 11 (3), 385-395, 2017
22017
Time series analysis of Hollywood film and reaction times
J DeLong
22015
Shot Structure and Visual Activity: e Evolution of Hollywood Film
JE DeLong, KL Brunick, JE Cutting
Journal of Vision 10 (7), 1229, 2010
22010
Are inverted faces processed at a later stage?
T Busey, B Schneider, D Wyatte, J DeLong, A Burkhardt, B Tjan
Journal of Vision 7 (9), 618-618a, 2007
12007
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