| Gtrace: General trace program compatible with emotionml R Cowie, M Sawey, C Doherty, J Jaimovich, C Fyans, P Stapleton 2013 humaine association conference on affective computing and intelligent …, 2013 | 54 | 2013 |
| Emotion in motion: A study of music and affective response J Jaimovich, N Coghlan, RB Knapp From Sounds to Music and Emotions: 9th International Symposium, CMMR 2012 …, 2013 | 50 | 2013 |
| Measurement of motion and emotion during musical performance RB Knapp, J Jaimovich, N Coghlan 2009 3rd International Conference on Affective Computing and Intelligent …, 2009 | 32 | 2009 |
| Biosignal-driven art: Beyond biofeedback M Ortiz-Perez, N Coghlan, J Jaimovich, RB Knapp Ideas Sonica/Sonic Ideas 3 (2), 2011 | 23 | 2011 |
| Using induction and multimodal assessment to understand the role of emotion in musical performance D Glowinski, A Camurri, G Volpe, C Noera, R Cowie, E McMahon, ... Emotion in HCI–Designing for People, 8, 2010 | 16 | 2010 |
| Emovere: Designing Sound Interactions for Biosignals and Dancers. J Jaimovich NIME, 316-320, 2016 | 15 | 2016 |
| Emotion recognition from physiological indicators for musical applications J Jaimovich Queen's University Belfast, 2013 | 15 | 2013 |
| Creating biosignal algorithms for musical applications from an extensive physiological database J Jaimovich, RB Knapp NIME 2015, 2015 | 10 | 2015 |
| The emotion in motion experiment: Using an interactive installation as a means for understanding emotional response to music J Jaimovich, M Ortiz-Perez, N Coghlan, RB Knapp | 10 | 2012 |
| Contagion of physiological correlates of emotion between performer and audience: An exploratory study J Jaimovich, N Coghlan, RB Knapp | 10 | 2010 |
| Being (A)part of NIME: Embracing Latin American Perspectives JPM Avila, J Tragtenberg, F Calegario, X Alarcon, LPC Hinojosa, ... NIME 2022, 2022 | 9* | 2022 |
| Emotion in motion: A reimagined framework for biomusical/emotional interaction B Bortz, J Jaimovich, RB Knapp NIME, 2015 | 9 | 2015 |
| Shaping the biology of emotion: Emovere, an interactive performance J Jaimovich, F Morand International Journal of Performance Arts and Digital Media 15 (1), 35-52, 2019 | 7 | 2019 |
| Ground Me! An Interactive Sound Art Installation. J Jaimovich NIME, 391-394, 2010 | 7 | 2010 |
| ShEMP: A mobile framework for shared emotion, music, and physiology B Bortz, S Salazar, J Jaimovich, RB Knapp, G Wang Proc the 3rd Int Workshop on Social Behavior in Music, 2012 | 6 | 2012 |
| Synchronization of Multimodal Recordings for Musical Performance Research. J Jaimovich, B Knapp NIME, 372-374, 2010 | 6 | 2010 |
| Pattern recognition of emotional states during musical performance from physiological signals J Jaimovich, RB Knapp interaction 14, 15, 2009 | 5 | 2009 |
| AffecTech-an affect-aware interactive AV Artwork N Coghlan, J Jaimovich, RB Knapp, D O’Brien, MA Ortiz ISEA 2009, 2009 | 4 | 2009 |
| Cross-Cultural Comparisons of Affect and Electrodermal Measures While Listening to Music B Bortz, J Jaimovich, RB Knapp 2019 8th international conference on affective computing and intelligent …, 2019 | 2 | 2019 |
| Music & emotion listening experiments: Design, implementation & perspectives J Jaimovich, N Coghlan, B Bortz, RB Knapp Proceedings of the 3rd International Conference on Music & Emotion (ICME3 …, 2013 | 2 | 2013 |
Roddy CowiePsychology, Queen's UniversityVerified email at qub.ac.uk
