Rupert Till
TitleCited byYear
Pop cult: religion and popular music
R Till
A&C Black, 2010
902010
Sound archaeology: terminology, Palaeolithic cave art and the soundscape
R Till
World archaeology 46 (3), 292-304, 2014
282014
Possession trance ritual in electronic dance music culture: a popular ritual technology for reenchantment, addressing the crisis of the homeless self, and reinserting the …
R Till
Exploring Religion and the Sacred in a Media Age, 169-188, 2009
172009
Songs of the Stones: an investigation into the musical history and culture of Stonehenge
R Till
IASPM: International Association for the Study of Popular Music Journal 1 (2 …, 2010
162010
The nine o'clock service: Mixing club culture and postmodern Christianity
R Till
Culture and Religion 7 (1), 93-110, 2006
162006
Songs of the stones: the acoustics of Stonehenge
R Till
The Sounds of Stonehenge, 2009
142009
The Personality Cult of Prince: Purple Rain, Sex and the Sacred, and the Implicit Religion Surrounding a Popular Icon.
R Till
Implicit Religion 13 (2), 2010
122010
The blues blueprint: the blues in the music of the Beatles, the Rolling Stones, and Led Zeppelin
R Till
Cross the Water Blues: African American Music in Europe, 183-202, 2007
122007
Pop stars and idolatry: an investigation of the worship of popular music icons, and the music and cult of Prince
R Till
Journal of Beliefs & Values 31 (1), 69-80, 2010
112010
Cave acoustics in prehistory: Exploring the association of Palaeolithic visual motifs and acoustic response
B Fazenda, C Scarre, R Till, RJ Pasalodos, MR Guerra, C Tejedor, ...
The Journal of the Acoustical Society of America 142 (3), 1332-1349, 2017
102017
Editorial Introduction: Popular Music in Education, Special Issue
L Green, D Lebler, R Till
IASPM: International Association for the Study of Popular Music Journal 5 (1 …, 2015
102015
An archaeoacoustic study of the Ħal Saflieni Hypogeum on Malta
R Till
antiquity 91 (355), 74-89, 2017
82017
Popular music education: A step into the light
R Till
The Routledge research companion to popular music education, 14-30, 2017
82017
An investigation into the sonic signature of three classic dynamic range compressors
A Moore, R Till, JP Wakefield
62016
Singer-Songwriter Authenticity, the Unconscious and Emotions (feat. Adele’s ‘Someone Like You’)
R Till, K Williams, JA Williams
The Cambridge Companion to the Singer-Songwriter, 291-304, 2016
62016
Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre.
M Mynett, JP Wakefield, R Till
Heavy Fundamentalisms: Music, Metal and Politics, 141-146, 2010
52010
Sound Archaeology: An interdisciplinary Perspective
R Till
CreateSpace Independent Publishing Platform, 2014
42014
Music & Ritual: Bridging Material & Living Cultures
R Jiménez, R Till, M Howell
Ekho Verlag, 2013
42013
Twenty first century popular music studies
R Till
IASPM@ Journal 3 (2), 1-14, 2013
42013
Sound at source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre
M Mynett, JP Wakefield, R Till
ARP 2010 Proceedings, 1-14, 2011
42011
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Articles 1–20