| Coherence in the assessment of writing skills R Walker, CP Ríu ELT journal 62 (1), 18-28, 2008 | 42 | 2008 |
| El retrato del doble: sobre los lenguajes del cine y el teatro C Pérez Ríu Arbor: Ciencia, pensamiento y cultura, 2010 | 9 | 2010 |
| TWO GOTHIC FEMINIST TEXTS: EMILY BRONTË'S" WUTHERING HEIGHTS" AND THE FILM," THE PIANO", BY JANE CAMPION CP Riu Atlantis, 163-173, 2000 | 9 | 2000 |
| ‘Don’t forget this is how I earn my living’: Internal Focalization, Subjectivity and the Victorian Woman Artist in the Adaptation of Anne Brontë’s The Tenant of Wildfell Hall … C Pérez Ríu Brontë Studies 40 (1), 44-58, 2015 | 8 | 2015 |
| Diosas del celuloide: arquetipos de género en el cine clásico C Rodríguez Fernández Ediciones Jaguar, 2007 | 8 | 2007 |
| La mujer victoriana en novelas inglesas contemporáneas y sus adaptaciones cinematográficas CP Ríu Universidad de Oviedo, 2000 | 8 | 2000 |
| El cine experimental de mujeres: antecedentes y desarrollo del cine teórico feminista de los 70 en el Reino Unido CP Riu Arbor 188 (758), 1117-1129, 2012 | 6 | 2012 |
| To Make You See: Photography as Intermedial Resource in Theatre and Film Adaptation (Closer and The Winter Guest) C Pérez Ríu Adaptation 8 (2), 176-191, 2015 | 4 | 2015 |
| An interview with Karel Reisz C Perez Riu Literature/Film Quarterly 31 (2), 156-160, 2003 | 2* | 2003 |
| Carmen (2000): La mujer victoriana en novelas inglesas contemporáneas y sus adaptaciones cinematográficas RIU PéREZ Universidad de Oviedo, Oviedo, 0 | 2 | |
| Romantic escapes in contemporary popular romance fiction I Pérez Fernández, C Pérez Ríu Peter Lang, 2021 | 1 | 2021 |
| Transition, circularity and haptic space in the representation of the city. From Ruth Rendell’s Live Flesh to Pedro Almodóvar’s Carne Trémula C Pérez Ríu Continuum 31 (5), 682-693, 2017 | 1 | 2017 |
| " A character is either real or imaginary? If you think that, hypocrite lecteur, I can only smile..." La ficcionalización del autor/a de la literatura al cine: la … CP Ríu Archivum: Revista de la Facultad de Filosofía y Letras, 211-243, 2013 | 1 | 2013 |
| Perversas: la mujer malvada en el cine clásico C Pérez Ríu Artecontexto: arte, cultura, nuevos medios= art, culture, new media, 2008 | 1 | 2008 |
| Romantic escapes in contemporary popular romance fiction IP Fernández, CP Ríu Romantic escapes: post-millennial trends in contemporary popular romance …, 2021 | | 2021 |
| Romance reading as fandom in the context of convergence culture C Pérez Ríu Peter Lang, 2021 | | 2021 |
| "Romance Reading as Fandom in the Context of Convergence Culture" CP Ríu Romantic Escapes. Post-Millennial Trends in Popular Romance Fiction, 147-175, 2021 | | 2021 |
| Neo historical fiction: David Mitchell’s take on adventure, empire and the exoticization of the past C Pérez Ríu Theory Now. Journal of Literature, Critique and Thought 2 (2), 182-199, 2019 | | 2019 |
| From mills and boon to the postmillennial boom: the production, reception and marketing of popular romance CP Ríu, IP Fernández, PF Calleja, AG Fernández Broadening horizons: a peak panorama of english studies in Spain, 34, 2018 | | 2018 |
| From Mills and Boon to the Post-millennial Boom: the production, reception and marketing of popular romance C Pérez Ríu, IP Fernández, PFCAG Fernández Broadening Horizons A Peak Panorama of English Studies in Spain, 335-340, 2018 | | 2018 |
Irene Pérez-FernándezUniversidad de OviedoDirección de correo verificada de uniovi.es
